Tekijänoikeuden erikoiskirjasto

Territoriality and its impact on the financing of audiovisual works
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Nimeke- ja vastuullisuusmerkintö
  • Territoriality and its impact on the financing of audiovisual works
Julkaistu
  • European Audiovisual Observatory, Strasbourg : 2015.
Ulkoasutiedot
  • 69 s.
  • Elektroninen aineisto
  • (pdf)
Sarjamerkintö ei-lisäkirjausmuodossa
  • IRIS Plus, ISSN 2079-1062 ; 2015-2
Huomautus sisällöstä
  • 1. Setting the scene .9 1.1. The EU audiovisual sector in 2013 .9 1.1.1 Overview ..9 1.1.1.1. New players, increased competition and new viewing patterns..9 1.1.1.2. New areas of growth with potential new revenue streams for right-holders.10 1.1.1.3. Different dynamics of growth among the different segments of the industry.10 1.1.2. A structural change underway .12 1.1.2.1. More competition from global players 12 1.1.2.2. “Content Is King”: Evolution of licensing deals in TV shows 12 1.1.2.3. The use of “big data” by global players....13 1.1.2.4. A shift in content production strategy 14 1.1.2.5. A fierce competition field for television broadcasters..15 1.1.2.6. Where does traditional TV stand in this nascent transformation process?..16 1.1.2.7. Which perspectives for the future?..17 1.2. The role of territoriality in film financing .18 1.2.1. The role of copyright in the territorial exploitation of films...18 1.2.1.1 The traditional value chain in the film sector....18 1.2.1.2. The mechanism of pre-sales of rights .20 1.2.1.3. Case studies...21 1.2.1.4. New business models emerging for film online distribution and financing?....22 1.2.2. The country of origin principle and film financing in the EU ..23 1.2.2.1. Overview...23 1.2.2.2. Some figures.....23 1.2.3. Which perspectives for the financing of European films in the new ecosystem? ..24 1.2.3.1. New threats for the financing structure of the film sector....24 1.2.3.2. Cross-border accessibility to audiovisual works in the Digital Single Market...25 1.2.3.3. Territoriality or cross-border portability of legally acquired content? ..26 2. International and EU legal framework.....27 2.1. Territoriality and copyright.....27 2.1.1. The Single Market and the freedom to provide services.....27 2.1.2. The principle of territoriality in copyright law ..28 2.1.2.1. Territoriality of copyright and international treaties...28 2.1.2.2. Territoriality of copyright in the EU...30 2.1.3. Territoriality and competition law ...32 2.2. Territoriality and audiovisual media services..34 2.2.1. Territoriality rules for audiovisual services at international level ...35 2.2.1.1. The WTO framework and the NAFTA..35 2.2.1.2. The Transatlantic Trade and Investment Partnership (TTIP)..37 2.2.2. Territoriality rules for audiovisual services at EU level....37 2.2.2.1. The Audiovisual Media Services Directive (AVMSD)...37 2.2.2.2. The e-Commerce Directive....40 3. National legal framework ...43 3.1. The clearance of rights in the EU audiovisual sector ..43 3.1.1. The particularities of the audiovisual work.....43 3.1.2 The clearance of rights and the special case of musical rights....43 3.1.3. The role of collective management organisations (CMOs)...45 3.2. The country of origin principle in the financing of audiovisual works.....46 4. Self-initiatives from the industry to facilitate cross-border access and portability of services...51 4.1. Licences for Europe: “Ten pledges to bring more content online”......51 4.1.1. Problems identified and proposed solutions ...52 4.1.2. Joint statement on cross-border portability of lawfully-acquired audiovisual content ...53 4.1.3. Joint statement of independent VoD platforms ....54 5. Case law and interpretative issues......55 5.1. The principle of territoriality in the jurisprudence of the CJEU ..55 5.1.1. From Coditel to Sportradar: territoriality reaffirmed.....55 5.1.2. Premier League: territoriality revisited ....56 5.2. The principle of the country of origin in the jurisprudence of the CJEU......59 6. State of play....63 6.1. Intellectual property rights and copyright reform ....63 6.1.1. State of play at the European Commission level ....63 6.1.1.1. The public consultation on the review of the EU copyright rules.....63 6.1.1.2. A Digital Single Market Strategy for Europe....64 6.1.1.3. The public consultation on the review of the Satellite and Cable Directive ...65 6.1.2. State of play on the European Parliament’s side....66 6.1.2.1. Report from the European Parliament on copyright reform .66 6.1.2.2. The Working Group on Intellectual Property Rights and Copyright Reform..67 6.2. The planned revision of the AVMSD .68
Huomautus sisällöstä, tiivistelmä tms.
  • This report aims to interpret the results of previous research in the light of the concept of territoriality. It focuses in parallel on copyright and media regulation, in order to take a closer look at the impact of the two leading concepts of “territoriality of copyright” and “country of origin”.
Asiasana - Kontrolloimaton
Henkilönnimi
  • Cabrera Blázquez, Francisco Javier.
  • Cappello, Maja.
  • Grece, Christian.
  • Valais, Sophie.
Elektronisen aineiston sijainti ja käyttö (URI)
  • https://rm.coe.int/090000168078347f.pdf Linkki verkkoaineistoon
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*505  $a1. Setting the scene .9 1.1. The EU audiovisual sector in 2013 .9 1.1.1 Overview ..9 1.1.1.1. New players, increased competition and new viewing patterns..9 1.1.1.2. New areas of growth with potential new revenue streams for right-holders.10 1.1.1.3. Different dynamics of growth among the different segments of the industry.10 1.1.2. A structural change underway .12 1.1.2.1. More competition from global players 12 1.1.2.2. “Content Is King”: Evolution of licensing deals in TV shows 12 1.1.2.3. The use of “big data” by global players....13 1.1.2.4. A shift in content production strategy 14 1.1.2.5. A fierce competition field for television broadcasters..15 1.1.2.6. Where does traditional TV stand in this nascent transformation process?..16 1.1.2.7. Which perspectives for the future?..17 1.2. The role of territoriality in film financing .18 1.2.1. The role of copyright in the territorial exploitation of films...18 1.2.1.1 The traditional value chain in the film sector....18 1.2.1.2. The mechanism of pre-sales of rights .20 1.2.1.3. Case studies...21 1.2.1.4. New business models emerging for film online distribution and financing?....22 1.2.2. The country of origin principle and film financing in the EU ..23 1.2.2.1. Overview...23 1.2.2.2. Some figures.....23 1.2.3. Which perspectives for the financing of European films in the new ecosystem? ..24 1.2.3.1. New threats for the financing structure of the film sector....24 1.2.3.2. Cross-border accessibility to audiovisual works in the Digital Single Market...25 1.2.3.3. Territoriality or cross-border portability of legally acquired content? ..26   2. International and EU legal framework.....27 2.1. Territoriality and copyright.....27 2.1.1. The Single Market and the freedom to provide services.....27 2.1.2. The principle of territoriality in copyright law ..28 2.1.2.1. Territoriality of copyright and international treaties...28 2.1.2.2. Territoriality of copyright in the EU...30 2.1.3. Territoriality and competition law ...32 2.2. Territoriality and audiovisual media services..34 2.2.1. Territoriality rules for audiovisual services at international level ...35 2.2.1.1. The WTO framework and the NAFTA..35 2.2.1.2. The Transatlantic Trade and Investment Partnership (TTIP)..37 2.2.2. Territoriality rules for audiovisual services at EU level....37 2.2.2.1. The Audiovisual Media Services Directive (AVMSD)...37 2.2.2.2. The e-Commerce Directive....40 3. National legal framework ...43 3.1. The clearance of rights in the EU audiovisual sector ..43 3.1.1. The particularities of the audiovisual work.....43 3.1.2 The clearance of rights and the special case of musical rights....43 3.1.3. The role of collective management organisations (CMOs)...45 3.2. The country of origin principle in the financing of audiovisual works.....46 4. Self-initiatives from the industry to facilitate cross-border access and portability of services...51 4.1. Licences for Europe: “Ten pledges to bring more content online”......51 4.1.1. Problems identified and proposed solutions ...52 4.1.2. Joint statement on cross-border portability of lawfully-acquired audiovisual content ...53 4.1.3. Joint statement of independent VoD platforms ....54 5. Case law and interpretative issues......55 5.1. The principle of territoriality in the jurisprudence of the CJEU ..55 5.1.1. From Coditel to Sportradar: territoriality reaffirmed.....55 5.1.2. Premier League: territoriality revisited ....56 5.2. The principle of the country of origin in the jurisprudence of the CJEU......59  6. State of play....63 6.1. Intellectual property rights and copyright reform ....63 6.1.1. State of play at the European Commission level ....63 6.1.1.1. The public consultation on the review of the EU copyright rules.....63 6.1.1.2. A Digital Single Market Strategy for Europe....64 6.1.1.3. The public consultation on the review of the Satellite and Cable Directive ...65 6.1.2. State of play on the European Parliament’s side....66 6.1.2.1. Report from the European Parliament on copyright reform .66 6.1.2.2. The Working Group on Intellectual Property Rights and Copyright Reform..67 6.2. The planned revision of the AVMSD .68
*520  $aThis report aims to interpret the results of previous research in the light of the concept of territoriality. It focuses in parallel on copyright and media regulation, in order to take a closer look at the impact of the two leading concepts of “territoriality of copyright” and “country of origin”.
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*7001 $aCabrera Blázquez, Francisco Javier.
*7001 $aCappello, Maja.
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*7001 $aValais, Sophie.
*8102 $aIRIS Plus,$x2079-1062 ;$v2015-2.
*85640$uhttps://rm.coe.int/090000168078347f.pdf$yLinkki verkkoaineistoon
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