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The Palgrave handbook of sound design and music in screen media : integrated soundtracks
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  • The Palgrave handbook of sound design and music in screen media : integrated soundtracks
    • From Noise: Blurring the Boundaries of the Soundtrack
    • Interview 1: Sound Recording, Sound Design and Collaboration—An Interview with Ann Kroeber
    • Organizing Sound: Labour Organizations and Power Struggles that Helped Define Music and Sound in Hollywood
    • Mixing as a Hyperorchestration Tool
    • Emotional Sound Effects and Metal Machine Music: Soundworlds in Silent Hill Games and Films
    • Towards 3-D Sound: Spatial Presence and the Space Vacuum
    • Inner and Outer Worlds in the Film Gravity: A Multidisciplinary Approach
    • Intertwining Music and Sound in Film
    • Interview 2: Reality and Representation. An Interview with Dario Marianelli
    • Sound Effects/Sound Affects: ‘Meaningful’ Noise in the Cinema
    • Listening to Violence: Point-of-Audition Sound, Aural Interpellation, and the Rupture of Hearing
    • Acoustic Disgust: Sound, Affect, and Cinematic Violence
    • Mad Sound and the Crystal-Image: The Soundtrack of Rivette’s L’Amour fou
    • The Sonic Realm in The Quatermass Experiment: Medium and Genre and Sound
    • Sound, Music and Memory in Jia Zhangke’s ‘Hometown Trilogy’
    • Vinyl Noise and Narrative in CD-Era Indiewood
    • Interview 3: Mixing Punk Rock, Classical, and New Sounds in Film Music. An Interview with Brian Reitzell
    • From Analogue to Digital: Synthesizers and Discourses of Film Sound in the 1980s
    • Unlearning Film School: The ‘lo-fi’ Soundtracks of Joe Swanberg
    • The Janus Project: Cristobal Tapia de Veer’s Utopia, Anempathetic Empathy and the Radicalization of Convention
    • Interview 4: Building Bridges: Sound Design as Collaboration, as Style and as Music in The Bridge—An Interview with Carl Edström
    • The Sound of an Android’s Soul: Music, MIDI and Muzak in Time Of Eve
    • The Sounds in the Machine: Hirokazu Tanaka’s Cybernetic Soundscape for Metroid
    • Redundancy and Information in Explanatory Voice-Ins and Voice-Offs
    • Interview 5: Under the Skin of Film Sound. An Interview with Johnnie Burn
    • Electroacoustic Composition and the British Documentary Tradition
    • Renegotiating the Overture: The Use of Sound and Music in the Opening Sequences of A Single Man and Shame
    • Interview 6: Orchestration, Collaboration, and the Integrated Soundtrack—An Interview with Matt Dunkley
    • Musically Conceived Sound Design, Musicalization of Speech and the Breakdown of Film Soundtrack Hierarchy
Hylly
  • PALGRAVE 78.355
Nimeke- ja vastuullisuusmerkintö
  • The Palgrave handbook of sound design and music in screen media : integrated soundtracks
Julkaistu
  • Palgrave Macmillan UK, London : 2016.
SAB-luokituskoodi
  • 78.355
Muu luokituskoodi
  • 78.355
Ulkoasutiedot
  • XIX, 468 s.
Huomautus sisällöstä, tiivistelmä tms.
  • This book bridges the existing gap between film sound and film music studies by bringing together scholars from both disciplines who challenge the constraints of their subject areas by thinking about integrated approaches to the soundtrack. As the boundaries between scoring and sound design in contemporary cinema have become increasingly blurred, both film music and film sound studies have responded by expanding their range of topics and the scope of their analysis beyond those traditionally addressed. The running theme of the book is the disintegration of boundaries, which permeates discussions about industry, labour, technology, aesthetics and audiovisual spectatorship. The collaborative nature of screen media is addressed not only in scholarly chapters but also through interviews with key practitioners that include sound recordists, sound designers, composers, orchestrators and music supervisors who honed their skills on films, TV programmes, video games, commercials and music videos.
Asiasana - Kontrolloimaton
Henkilönnimi
  • Greene, Liz.
  • Kulezic-Wilson, Danijela.
Osakohde
ISBN
  • 978-1-137-51679-4
 
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This book bridges the existing gap between film sound and film music studies by bringing together scholars from both disciplines who challenge the constraints of their subject areas by thinking about integrated approaches to the soundtrack. As the boundaries between scoring and sound design in contemporary cinema have become increasingly blurred, both film music and film sound studies have responded by expanding their range of topics and the scope of their analysis beyond those traditionally addressed. The running theme of the book is the disintegration of boundaries, which permeates discussions about industry, labour, technology, aesthetics and audiovisual spectatorship. The collaborative nature of screen media is addressed not only in scholarly chapters but also through interviews with key practitioners that include sound recordists, sound designers, composers, orchestrators and music supervisors who honed their skills on films, TV programmes, video games, commercials and music videos.

Lähetä
Niteen tunnusTilaEräpäiväKuuluuSijaintiHylly
23825Saatavana KirjastoKirjasto 78.355