Tekijänoikeuden erikoiskirjasto

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*019  $bga,la,na
*020  $a978-92-871-8480-1$qPDF
*035  $a24438
*035  $a(PLib-conv)0000024438
*0410 $aeng
*24500$aExceptions and  limitations to copyright /$cFrancisco Javier Cabrera Blázquez, Maja Cappello, Gilles Fontaine, Sophie Valais.
*260  $aStrasbourg :$bEuropean Audiovisual Observatory,$c2017.
*300  $a73 s.
*300  $fPDF
*4901 $aIRIS Plus,$x2079-1062 ;$v2017-1.
*505  $aTable of contents 1. Setting the scene 1.1.The origins of copyright 1.1.1.From Gutenberg’s press to the Statute of Anne 1.1.2.Beaumarchais’ first supper 1.2.An exceptional property right 1.3.The economic impact of certain exceptions and limitations to copyright in the European Union 1.3.1.The access to film heritage works in the digital era  1.3.2.Private copying 2. International and European legal framework 2.1.Exceptions and limitations at international level  2.1.1.The Berne Convention  2.1.2.Extension of the scope of the three-step test under the TRIPS Agreement 2.1.3.Exceptions and limitations in the digital age: the WIPO Internet Treaties  2.1.4.New mandatory exceptions for blind and visually-impaired persons under the Marrakesh Treaty......17 2.2.Exceptions to copyright and related rights in the EU acquis  2.2.1.General overview 2.2.2.Main exceptions related to the digital environment 3. National legal framework  3.1.General overview 3.2.Overview of national implementations of certain exceptions to copyright 3.2.1.Exception for temporary acts of reproduction (transient copies) 3.2.2.Exception for reproductions for private uses (private copying)  3.2.3.Exception for cultural heritage institutions 3.2.4.Exceptions for reporting of current events, quotations for criticism or review and parodies 4. The role of self and co-regulation  4.1.General overview of EU strategies  4.2.Memorandum of Understanding on Out-of-Commerce Works  4.3.Access to copyright works for people with print disabilities  4.4.Licenses for Europe 4.4.1.Facilitating the digitisation and access to audiovisual heritage  4.4.2.Text and data mining for research purposes 5.“Open” copyright licenses initiatives 4.5.1.Free and open-source software domain and “copyleft” licenses 4.5.2.“Creative Commons” (CC) licenses  5. Case law  5.1.General principles 5.2.Caricature, parody or pastiche  5.3.Private copying 5.3.1.Padawan v. SGAE  5.3.2.EGEDA et al. v Administración del Estado et al 5.3.3.ACI Adam v Stichting de Thuiskopie  6. State of play 6.1.Copyright exceptions in the bigger picture of the DSM 6.2.Policy documents concerning exceptions and limitations 6.2.1.From the Green Paper to the Vitorino Recommendations  6.2.2.The actions under the DSM strategy  6.3.The “copyright package”  6.3.1.The rationale underlying the four new mandatory exceptions 6.3.2.Text and data mining in the field of scientific research 6.3.3.Digital and cross-border uses in the field of education 6.3.4.Preservation of cultural heritage 6.3.5.Accessible formats for people with disabilities  6.4.The pending issues  6.4.1.The e-lending exception 6.4.2.The panorama exception 6.4.3.The private copying exception 6.5.The state of the legislative process
*653  $aTEKIJÄNOIKEUS
*653  $aPOIKKEUKSET
*653  $aRAJOITUKSET
*653  $aBERNIN YLEISSOPIMUS
*653  $aWIPO
*653  $aEU-DIREKTIIVIT
*653  $aKANSAINVÄLINEN TEKIJÄNOIKEUS
*653  $aKANSALLINEN KOHTELU
*7001 $aCappello, Maja.
*7001 $aFontaine, Gilles.
*7001 $aValais, Sophie.
*7001 $aCabrera Blázquez, Francisco Javier.
*8102 $aIris Plus,$x2079-1062 ;$v2017-1.
*85640$uhttps://rm.coe.int/090000168078348b.pdf$yLinkki verkkoaineistoon
*979  $a0000024438
*999  $aMikroMarc$b[Electronic material]$x26
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