Tekijänoikeuden erikoiskirjasto

*00001991nam a22003254a 4500
*00112225
*00520201106111834.0
*008180214s2017\\\\xx\||||||||||\||||||eng|c
*020  $a978-1-911116-08-0
*035  $a24940
*035  $a(PLib-conv)0000024940
*0410 $aeng
*084  $a78.16$2ykl
*1001 $aTschmuck, Peter.
*24510$aThe economics of music /$cPeter Tschmuck.
*260  $aNewcastle upon Tyne :$bAgenda Publishing,$c2017.
*300  $aviii, 224 s.
*520  $aThis book offers a concise, rigorous presentation of the economic fundamentals of the music industry in particular and the music economy in general. It highlights the economic principles that govern the music business as an economic good protected by copyright law. The book examines the core sectors of the industry - music publishing, sound recording, the live music market, and secondary markets such as advertising and merchandising - and shows how they operate together. It includes analysis of the income streams of musicians and the wider music lobby. The impact of digitization and the economic relevance of new digital formats is given special attention - download services, streaming platforms, mobile music providers, cloud music services as well as music recognition and recommendation systems are all discussed. The book shows how a combination of established publishers (Universal, Sony/ATV, Warner/Chappell), new promoters (LiveNation), and a new generation of music providers (Apple, Google, Amazon) has created a heady mix of competing and collaborative economic models.
*653  $aMUSIIKKI
*653  $aMUSIIKKITEOLLISUUS
*653  $aLIIKETOIMINTAMALLIT
*653  $aTALOUS
*653  $aMUSIIKKITIEDE
*653  $aMUSIIKKIALA
*653  $aMUSIIKKIKUSTANTAJAT
*653  $aMUSIIKKIMARKKINAT
*653  $aÄÄNITETUOTANTO
*653  $aÄÄNITETEOLLISUUS
*852  $i9723376$h78.16$cTSCHMUCK
*979  $a0000024940
*999  $aMikroMarc$b[Book]$x0
^

The music industry is one of the most dynamic and fascinating business sectors. Its business model has continually to adapt and react to changing technologies that impact at every level from distribution to artist management. The Economics of Music provides a concise and rigorous presentation of the economics of the music business. It highlights the economic principles that govern a business that is an economic good protected by copyright law. The core sectors of the industry - publishing, recording, live music - are examined and how they operate together through a myriad of licencing arrangements. The revenue streams for recording companies are analysed alongside the income stream of musicians to show how particular formats and platforms affect profit margins and how live performance now outstrips music sales as the primary source of income for today's artists. The book shows how a combination of established publishers, new promoters and a new generation of music providers has created a heady mix of competing and collaborative economic models. Add to this a growing DIY culture among musicians and the ever-changing behaviour of consumers and, as the author shows, we have the most challenging of economic landscapes but one nevertheless capable of generating huge returns.