Hylly
Henkilönnimi Spilker, Hendrik Storstein.
Nimeke- ja vastuullisuusmerkintö Digital Music Distribution : the Sociology of Online Music Streams
Julkaistu Routledge, London : 2018.
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Sarjamerkintö ei-lisäkirjausmuodossa Routledge Advances in Sociology
Huomautus sisällöstä, tiivistelmä tms. Table of Contents CHAPTER 1 * Introduction: Digital Dramas * Music On Demand? * The Folding of Technologies * Into and Beyond «The Piracy Wars» * CHAPTER 2: * Not only about listening: Understanding the new everyday life of music * Perspectives on the Appropriation of Digital Music * Analyzing youth * The omnipresence and omni-interest in music * Top ten music-related practices * You can always get what you want? * CHAPTER 3 * The value of access: Negotiating file-sharing and streaming among youth and with parents * Domesticating controversial technologies * Piracy as morality and rebellion * Digital music technologies as generational boundary markers and asymmetries * Reflections on piracy and legality * Together in crime? * Music in context negotiating other ICTs * An access culture? * CHAPTER 4 * In search of the "hacker-punk": Digital music technologies for countercultural measures? * The promises of Punk Style Do-it-yourself * The Quest for the Hacker Punk * What is so Punk about Punk? * The Digitalized Underground * In Search of the Hacker Punk * The Gap between Near and Bin(e)ary Things * The Unruliness of Technology * CHAPTER 5: * Pre-distribution networks and professional networks: Becoming an artist in the age of "piracy cultures" * Of Network Studios and Piracy Cultures * Assembling Work * A Visit to the Network Studio * Being Within or Without the Music Industry? * The Pre-Distribution Network and the Professional Network * Hail to the Album! * CHAPTER 6 * The irony of virtuality: The production of music and news in "the new economy" * The contents of "the new economy" * Network society or Internet society? * A prehistory of digital news and music * Ensure control over the resources * Gain entry to the networks * Gain entry to the networks #part 2 * Ensure control #part 2 * The new economy: a parasitic economy? * The irony of virtuality * CHAPTER 7 * The making of "piracy standards": Assessing the interplay between commercialism and idealism in technology development * The Interplay between Idealism and Commercialism * The Movement of Technologies Across Time and Space * MP3s Route to Dominance * DivX: The MP3 of Video? * The power of the piracy-entrepreneur nexus * CHAPTER 8 * Media kills music? An Analysis of the Newspaper Coverage of the Piracy Kills Music Campaign * The Fourth Music Estate? * Understanding the Role of the Media in the Piracy Controversies * Identifying frames * Qualitative Framing Analysis * The-support-and-help-the-industry-frame * The-dying-dinosaur-frame * The-head-in-the-sand-frame * The-hopeless-and-desperate-frame * The most-successful-campaign-of-all-time-frame * Quantitative Framing Analysis * - Wasnt much help to get
* CHAPTER 9: * The regulation of digital music distribution: Assessing the states and futures of the field * Introducing five regulatory models * 1. The partly obviation of the ownership model * 2. The hope and heath of the access model * 3. The professionalization of the alternative revenue model * 4. The remix model as ideology and practice * 5. The radical and the limited compensation model * The manifold roles of music, musicians and music-users * CHAPTER 10 * The Music Welfare State * Folding Revisited * Programs, Antiprograms, Circumventions, Ramifications
* The Old and the New Divide * The Triumph of Piracy * The Technological Empire * A State of Balance? * References *
Asiasana - Kontrolloimaton
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*520 $aTable of Contents CHAPTER 1 * Introduction: Digital Dramas * Music On Demand? * The Folding of Technologies * Into and Beyond «The Piracy Wars» * CHAPTER 2: * Not only about listening: Understanding the new everyday life of music * Perspectives on the Appropriation of Digital Music * Analyzing youth * The omnipresence and omni-interest in music * Top ten music-related practices * You can always get what you want? * CHAPTER 3 * The value of access: Negotiating file-sharing and streaming among youth and with parents * Domesticating controversial technologies * Piracy as morality and rebellion * Digital music technologies as generational boundary markers and asymmetries * Reflections on piracy and legality * Together in crime? * Music in context negotiating other ICTs * An access culture? * CHAPTER 4 * In search of the "hacker-punk": Digital music technologies for countercultural measures? * The promises of Punk Style Do-it-yourself * The Quest for the Hacker Punk * What is so Punk about Punk? * The Digitalized Underground * In Search of the Hacker Punk * The Gap between Near and Bin(e)ary Things * The Unruliness of Technology * CHAPTER 5: * Pre-distribution networks and professional networks: Becoming an artist in the age of "piracy cultures" * Of Network Studios and Piracy Cultures * Assembling Work * A Visit to the Network Studio * Being Within or Without the Music Industry? * The Pre-Distribution Network and the Professional Network * Hail to the Album! * CHAPTER 6 * The irony of virtuality: The production of music and news in "the new economy" * The contents of "the new economy" * Network society or Internet society? * A prehistory of digital news and music * Ensure control over the resources * Gain entry to the networks * Gain entry to the networks #part 2 * Ensure control #part 2 * The new economy: a parasitic economy? * The irony of virtuality * CHAPTER 7 * The making of "piracy standards": Assessing the interplay between commercialism and idealism in technology development * The Interplay between Idealism and Commercialism * The Movement of Technologies Across Time and Space * MP3s Route to Dominance * DivX: The MP3 of Video? * The power of the piracy-entrepreneur nexus * CHAPTER 8 * Media kills music? An Analysis of the Newspaper Coverage of the Piracy Kills Music Campaign * The Fourth Music Estate? * Understanding the Role of the Media in the Piracy Controversies * Identifying frames * Qualitative Framing Analysis * The-support-and-help-the-industry-frame * The-dying-dinosaur-frame * The-head-in-the-sand-frame * The-hopeless-and-desperate-frame * The most-successful-campaign-of-all-time-frame * Quantitative Framing Analysis * - Wasnt much help to get
* CHAPTER 9: * The regulation of digital music distribution: Assessing the states and futures of the field * Introducing five regulatory models * 1. The partly obviation of the ownership model * 2. The hope and heath of the access model * 3. The professionalization of the alternative revenue model * 4. The remix model as ideology and practice * 5. The radical and the limited compensation model * The manifold roles of music, musicians and music-users * CHAPTER 10 * The Music Welfare State * Folding Revisited * Programs, Antiprograms, Circumventions, Ramifications
* The Old and the New Divide * The Triumph of Piracy * The Technological Empire * A State of Balance? * References *
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