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The Cambridge Handbook of Copyright in Street Art and Graffiti
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  • The Cambridge Handbook of Copyright in Street Art and Graffiti
    • A set of premises for the scrutiny and interpretation of graffiti and street art
    • Graffiti and street art: creative practices amid 'corporatization' and 'corporate appropriation'
    • Decontextualisation of street art
    • Copyright protection of illegal street and graffiti artworks
    • Conservation of street art, moral right of integrity and a web of conflicting interests
    • Works and walls: graffiti writing and street art at the intersection of copyright and land law
    • Street art, graffiti and copyright: a US perspective
    • Graffiti, street art, walls, and the public in Canadian copyright law
    • Copyright protection for graffiti and street art: a Colombian perspective
    • Street art, graffiti and copyright: a UK law perspective
    • Graffiti, street art and copyright in France
    • Street art, graffiti and copyright: a German perspective
    • Copyright in street art and graffiti: an Italian perspective
    • Copyright in street art and graffiti in The Netherlands
    • Copyright protection of street art and graffiti in Greece: intellectual property and personal property in conflict?
    • Graffiti and street art under South African copyright law
    • Street art, graffiti, and Indian copyright law
    • Copyright in street art and graffiti: an Australian perspective
    • Copyright, graffiti, and street art in Aotearoa New Zealand
    • Copyright skepticism and street art: a contrasting opinion
Hylly
  • CAMBRIDGE 33.34
Nimeke- ja vastuullisuusmerkintö
  • The Cambridge Handbook of Copyright in Street Art and Graffiti
Julkaistu
  • Cambridge University Press, Cambridge : 2019.
SAB-luokituskoodi
  • 33.34
Muu luokituskoodi
  • 33.34
Ulkoasutiedot
  • 331 s.
Sarjamerkintö ei-lisäkirjausmuodossa
  • Cambridge Law Handbooks
Huomautus sisällöstä, tiivistelmä tms.
  • In recent years, the number of conflicts related to the misuse of street art and graffiti has been on the rise around the world. Some cases involve claims of misappropriation related to corporate advertising campaigns, while others entail the destruction or 'surgical' removal of street art from the walls on which they were created. In this work, Enrico Bonadio brings together a group of experts to provide the first comprehensive analysis of issues related to copyright in street art and graffiti. Chapter authors shed light not only on the legal tools available in thirteen key jurisdictions for street and graffiti artists to object to unauthorized exploitations and unwanted treatments of their works, but also offer policy and sociological insights designed to spur further debate on whether and to what extent the street art and graffiti subcultures can benefit from copyright and moral rights protection.
Asiasana - Kontrolloimaton
Henkilönnimi
  • Bonadio, Enrico.
Osakohde
ISBN
  • 978-1-108-48233-2
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In recent years, the number of conflicts related to the misuse of street art and graffiti has been on the rise around the world. Some cases involve claims of misappropriation related to corporate advertising campaigns, while others entail the destruction or 'surgical' removal of street art from the walls on which they were created. In this work, Enrico Bonadio brings together a group of experts to provide the first comprehensive analysis of issues related to copyright in street art and graffiti. Chapter authors shed light not only on the legal tools available in thirteen key jurisdictions for street and graffiti artists to object to unauthorized exploitations and unwanted treatments of their works, but also offer policy and sociological insights designed to spur further debate on whether and to what extent the street art and graffiti subcultures can benefit from copyright and moral rights protection.

Lähetä
Niteen tunnusTilaEräpäiväKuuluuSijaintiHylly
25400Saatavana KirjastoKirjasto 33.34