Tekijänoikeuden erikoiskirjasto

Licensing of Music from BC to AD : (Before the Change / After Digital)
Muistilista on tyhjä
Vis
Lukk
  • Licensing of Music from BC to AD : (Before the Change / After Digital)
    • The elements of a music license
    • Litigation: how to draft defensively without killing the deal
    • Music publishing agreements
    • An overview of synchronization licenses
    • Print licenses: BC vs AD: An eye for an eye or Turn the other Cheek
    • Music licensing for the broadway theatre
    • Collective licensing of non-dramatic performing rights
    • Mechanical rights
    • The Indian perspective on mechanical rights
    • Licensing legal lyrics internationally
    • A conceptual overview of the American exclusive artist recording agreement
    • An overview of master use licenses: film and television
    • Master licensing for compilations
    • Performer×s agreements with producer or venue: special issues in Europe
    • Video transmission of live performances
    • All for one and one for all: co-branding agreements in the entertainment industry
    • Licensing music for gaming and interactive: convergence of the alt screens
    • Editorial comment: how did we get there?
    • Clearing rights for digital use today: performance and mechanical rights
    • A (very) short history of performance and mechanical licensing
    • Revenue streams in the music industry
    • Music/video mashups: the legal perspective
    • Digital licensing challenges: a discussion between content providers and DSPs
    • The development of Pan-European licensing
    • Development of licensing practice in Asia
    • Reciprocity issues
    • Social media for music performing artists and writers: a look at the terms and conditions of major platforms
    • Piracy & data protection: a comparison among the US, EU and Brazilian laws
    • Tax structure of licensing in Luxembourg and the Netherlands
    • The changing terrain of music licensing in Africa
    • Legal developments affecting licensing in India
    • Possible new strategies for licensing
Hylly
  • IAEL SA-IAEL
Kokouksen nimi
  • IAEL 2014.
Nimeke- ja vastuullisuusmerkintö
  • Licensing of Music from BC to AD : (Before the Change / After Digital)
Julkaistu
  • Frukt communications, London : 2014.
Ulkoasutiedot
  • 396 s.
Asiasana - Kontrolloimaton
Henkilönnimi
  • Karancsi, Adrienn.
  • Kendrick, James M.
Osakohde
*00002213nam a22008774a 4500
*00114096
*00520201106111846.0
*008191210s2014\\\\xx\||||||||||\||||||eng|c
*035  $a26865
*035  $a(PLib-conv)0000026865
*0410 $aeng
*090  $aOMA:SA-IAEL
*1112 $aIAEL 2014.
*24510$aLicensing of Music from BC to AD :$b(Before the Change / After Digital) /$cAdrienn Karancsi, James M. Kendrick (ed.).
*260  $aLondon :$bFrukt communications,$c2014.
*300  $a396 s.
*653  $aMUSIIKKI
*653  $aMUSIIKKIALA
*653  $aLISENSIOINTI
*653  $aLISENSSIT
*653  $aSOPIMUKSET
*653  $asäveltäjät
*653  $aOIKEUDENHALTIJAT
*653  $aTEATTERIT
*653  $aYHTEISHALLINNOINTI
*653  $aESITTÄMINEN
*653  $aINTIA
*653  $aLYRIIKKA
*653  $aYHDYSVALLAT
*653  $aKÄYTTÖOIKEUS
*653  $aELOKUVAT
*653  $aTELEVISIO-OHJELMAT
*653  $aEUROOPPA
*653  $aOIKEUDET
*653  $aOIKEUKSIEN HALLINNOINTI
*653  $aVIDEOINTI
*653  $aVIIHDETEOLLISUUS
*653  $aPELIT
*653  $aDIGITALISOITUMINEN
*653  $aLAINSÄÄDÄNTÖ
*7001 $aKarancsi, Adrienn.
*7001 $aKendrick, James M.
*774  $w14097
*774  $w14098
*774  $w14099
*774  $w14100
*774  $w14101
*774  $w14102
*774  $w14103
*774  $w14104
*774  $w14105
*774  $w14106
*774  $w14107
*774  $w14108
*774  $w14109
*774  $w14110
*774  $w14111
*774  $w14112
*774  $w14113
*774  $w14114
*774  $w14115
*774  $w14116
*774  $w14117
*774  $w14118
*774  $w14119
*774  $w14120
*774  $w14121
*774  $w14122
*774  $w14123
*774  $w14124
*774  $w14125
*774  $w14126
*774  $w14127
*774  $w14128
*852  $i9723651$hSA-IAEL$cIAEL
*979  $a0000026865
*999  $aMikroMarc$b[Book]$x0
^
Tästä teoksesta ei ole arvioita.
Näpäytä kun haluat kirjoittaa ensimmäisen arvion.
Vis
Lähetä
Niteen tunnusTilaEräpäiväKuuluuSijaintiHylly
25414Saatavana KirjastoKirjasto SA-IAEL