Henkilönnimi
Nimeke- ja vastuullisuusmerkintö Innova tion is a dirty word : contesting innova tion in the creative industries
Julkaistu
Ulkoasutiedot
Sarjamerkintö ei-lisäkirjausmuodossa International Journal of Cultural Policy, ISSN 1477-2833 ; 25(3)
Huomautus sisällöstä Innova tion is a term that is used and defined in many different ways. This holds for innova tion in general, but particularly for innova tion in the creative industries. In cultural policy and in academic literature, the creative industries are often addressed in the relation to their innova tive capacities, yet a shared conceptualisation of innova tion in this sector is lacking. This paper seeks to develop a conceptualisation of innova tion in the creative industries based on 43 interviews with creative workers about their views and practices. Results indicate that creative workers articulate numerous views on innova tion, with three main approaches: innova tion as something completely new, innova tion as a contribution to society and innova tion as a continuous recombination of new and existing elements, with the latter being most prevalent in the creative industries and considered a central (by-product of the) process of creative production that is highly contextual to specific localities and fields.
Asiasana
Henkilönnimi Hitters, Erik Bhansing, Pawan V.
Sarjalisäkirjaus - yhtenäistetty nimeke International Journal of Cultural Policy, 1477-2833 ; 25(3).
Elektronisen aineiston sijainti ja käyttö (URI) https://doi.org/10.1080/10286632.2016.1268134 Linkki verkkoaineistoon
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*1001 $aWijngaarden, Yosha
*24510$aInnova tion is a dirty word :$bcontesting innova tion in the creative industries /$cYosha Wijngaarden, Erik Hitters & Pawan V. Bhansing
*260 $c2019
*300 $as. 392–405.
*300 $a(pdf)
*4901 $aInternational Journal of Cultural Policy,$x1477-2833 ;$v25(3)
*505 $aInnova tion is a term that is used and defined in many different ways. This holds for innova tion in general, but particularly for innova tion in the creative industries. In cultural policy and in academic literature, the creative industries are often addressed in the relation to their innova tive capacities, yet a shared conceptualisation of innova tion in this sector is lacking. This paper seeks to develop a conceptualisation of innova tion in the creative industries based on 43 interviews with creative workers about their views and practices. Results indicate that creative workers articulate numerous views on innova tion, with three main approaches: innova tion as something completely new, innova tion as a contribution to society and innova tion as a continuous recombination of new and existing elements, with the latter being most prevalent in the creative industries and considered a central (by-product of the) process of creative production that is highly contextual to specific localities and fields.
*650 7$ainnova atiot$2yso/fin$0http://www.yso.fi/onto/yso/p7903
*650 7$aluovat toimialat$0http://www.yso.fi/onto/yso/p22123$2yso/fin
*650 7$aluova toiminta$2yso/fin$0http://www.yso.fi/onto/yso/p9315
*7001 $aHitters, Erik
*700 $aBhansing, Pawan V.
*830 0$aInternational Journal of Cultural Policy,$x1477-2833 ;$v25(3).
*85640$uhttps://doi.org/10.1080/10286632.2016.1268134$yLinkki verkkoaineistoon
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