Hylly SA-International Journal of Heritage Studies
Henkilönnimi
Nimeke- ja vastuullisuusmerkintö Difficult heritage and digital media : ‘selfie culture’ and emotional practices at the Memorial to the Murdered Jews of Europe
Julkaistu
Ulkoasutiedot
Sarjamerkintö ei-lisäkirjausmuodossa International Journal of Heritage Studies ISSN 1470-3610 27(1)
Huomautus sisällöstä This article sheds light on the entanglements of difficult heritage and digital media through an ethnographic analysis of digital photography and social media practices at the Memorial to the Murdered Jews of Europe in Berlin. After a discussion of the project ‘Yolocaust’, through which an artist publicly shamed the ‘selfie culture’ at the memorial, the article argues that the sweeping condemnation of digital self-representations in the context of Holocaust remembrance remains simplistic. Instead, many visitors explore and enact potential emotional relationships to the pasts that sites of difficult heritage represent through digital self-representations. This observation raises critical questions about the role of digital media in current transformations of touristic memory cultures.
Asiasana - Kontrolloimaton
Elektronisen aineiston sijainti ja käyttö (URI) https://www.tandfonline.com/doi/pdf/10.1080/13527258.2020.1768578?needAccess=true Open access
*000 ab a ar
*00115130
*008 s ||||fi |||||||||||||||||eng||
*041 $aeng
*1001 $aBareither, Chrisoph.
*24510$aDifficult heritage and digital media :$b‘selfie culture’ and emotional practices at the Memorial to the Murdered Jews of Europe /$cChristoph Bareither
*260 $c2021
*300 $as. 57-72
*300 $a(pdf)
*490 $aInternational Journal of Heritage Studies$x1470-3610$v27(1)
*505 $aThis article sheds light on the entanglements of difficult heritage and digital media through an ethnographic analysis of digital photography and social media practices at the Memorial to the Murdered Jews of Europe in Berlin. After a discussion of the project ‘Yolocaust’, through which an artist publicly shamed the ‘selfie culture’ at the memorial, the article argues that the sweeping condemnation of digital self-representations in the context of Holocaust remembrance remains simplistic. Instead, many visitors explore and enact potential emotional relationships to the pasts that sites of difficult heritage represent through digital self-representations. This observation raises critical questions about the role of digital media in current transformations of touristic memory cultures.
*653 $adifficult heritage
*653 $adigital media
*653 $aphotography
*653 $aemotions
*653 $atourism
*653 $aholocaust
*852 $hSA-International Journal of Heritage Studies
*85640$uhttps://www.tandfonline.com/doi/pdf/10.1080/13527258.2020.1768578?needAccess=true$yOpen access
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