Hylly
Henkilönnimi Oprysk, Liliia, kirjoittaja.
Nimeke- ja vastuullisuusmerkintö How Much “New” Public Is Too Much? The CJEU ’s VG Bild-Kunst Judgment and Non-Exhaustive Control Over a Work’s Consumption
Julkaistu
Ulkoasutiedot
Sarjamerkintö ei-lisäkirjausmuodossa IIC : International Review of Intellectual Property and Competition Law, ISSN 0018-9855 ; 53(9)
Huomautus sisällöstä, tiivistelmä tms. Pursuant to the EU copyright acquis, right holders enjoy broad control over the communication of a work to the public. Following the VG Bild-Kunst judgment of the CJEU , right holders can rely on copyright to preclude framing of their otherwise freely available works on other websites. Circumventing technical measures placed by the right holders to prevent framing infringes their exclusive right of communicating works to the public. The judgment not only constrains secondary communication of a work, but also de facto places restrictions on the consumption of lawfully communicated works. The CJEU ’s reasoning builds upon the expansive interpretation of the “new public” criterion coined in the preceding Renckhoff case. This paper argues that relying on the new public criterion in VG Bild-Kunst concealed the relevant circumstances of the case. Fundamental questions of the extent of the right holder’s exclusive control over authorized communication and the circumstances of a work’s consumption remained unexplored. It is concluded that revising the scope of application of the new public criterion is in order. Restricting the new public test to secondary communication and access to a work in its strict sense will expose the fundamental normative questions and the need to consider the underlying objectives of the copyright acquis.
Asiasana
Asiasana - Kontrolloimaton
Sarjalisäkirjaus - yhtenäistetty nimeke IIC : International Review of Intellectual Property and Competition Law, 0018-9855 ; 53(9)
Elektronisen aineiston sijainti ja käyttö (URI) https://doi.org/10.1007/s40319-022-01243-1 Linkki verkkoaineistoon
*000 ab a ar
*00117063
*008 s2022||||sz |||||||||||||||||eng||
*040 $aFI-CUTE$bfin$erda
*0410 $aeng
*1001 $aOprysk, Liliia,$ekirjoittaja.
*24510$aHow Much “New” Public Is Too Much? The CJEU ’s VG Bild-Kunst Judgment and Non-Exhaustive Control Over a Work’s Consumption /$cLiliia Oprysk.
*264 1$bSpringer,$c2022.
*300 $as. 1323–1342
*336 $ateksti$btxt$2rdacontent
*337 $akäytettävissä ilman laitetta$bn$2rdamedia
*338 $anide$bnc$2rdacarrier
*4901 $aIIC : International Review of Intellectual Property and Competition Law,$x0018-9855 ;$v53(9)
*520 $aPursuant to the EU copyright acquis, right holders enjoy broad control over the communication of a work to the public. Following the VG Bild-Kunst judgment of the CJEU , right holders can rely on copyright to preclude framing of their otherwise freely available works on other websites. Circumventing technical measures placed by the right holders to prevent framing infringes their exclusive right of communicating works to the public. The judgment not only constrains secondary communication of a work, but also de facto places restrictions on the consumption of lawfully communicated works. The CJEU ’s reasoning builds upon the expansive interpretation of the “new public” criterion coined in the preceding Renckhoff case. This paper argues that relying on the new public criterion in VG Bild-Kunst concealed the relevant circumstances of the case. Fundamental questions of the extent of the right holder’s exclusive control over authorized communication and the circumstances of a work’s consumption remained unexplored. It is concluded that revising the scope of application of the new public criterion is in order. Restricting the new public test to secondary communication and access to a work in its strict sense will expose the fundamental normative questions and the need to consider the underlying objectives of the copyright acquis.
*650 7$atekijänoikeus$0http://www.yso.fi/onto/yso/p2346$2yso/fin
*650 7$aEU-oikeus$0http://www.yso.fi/onto/yso/p20733$2yso/fin
*650 7$aInternet$0http://www.yso.fi/onto/yso/p20405$2yso/fin
*650 7$atekijänoikeuslaki$2yso/fin$0http://www.yso.fi/onto/yso/p9817
*650 7$aoikeustapaukset$2yso/fin$0http://www.yso.fi/onto/yso/p7219
*653 $aCJEU
*830 0$aIIC : International Review of Intellectual Property and Competition Law,$x0018-9855 ;$v53(9)
*852 $hSA-IIC
*85641$uhttps://doi.org/10.1007/s40319-022-01243-1$yLinkki verkkoaineistoon
^
Tästä teoksesta ei ole arvioita.
Näpäytä
kun haluat kirjoittaa ensimmäisen arvion.