Hylly
Nimeke- ja vastuullisuusmerkintö Finnish Cinema : A Transnational Enterprise
Julkaistu Palgrave Macmillan, London : 2016.
SAB-luokituskoodi
Muu luokituskoodi
Ulkoasutiedot
Sarjamerkintö ei-lisäkirjausmuodossa Palgrave European Film and Media Studies
Huomautus sisällöstä Introduction to the Study of Transnational Small Nation Cinema, Henry Bacon, Pages 1-19; A Young Nation Seeking to Define Itself: Finland in 1900–1930, Outi Hupaniittu, Pages 23-26; The Emergence of Finnish Film Production and Its Linkages to Cinema Businesses During the Silent Era, Outi Hupaniittu, Pages 27-50; Finnish Film Style in the Silent Era, Jaakko Seppälä, Pages 51-80; War and Peace: Finland Among Contending Nations, Anneli Lehtisalo, Pages 83-86; Conceptions of National Film Style During the Studio Era, Kimmo Laine, Pages 87-113; Exporting Finnish Films, Anneli Lehtisalo, Pages 115-138; Trade and Diplomacy Between East and West, Henry Bacon, Pages 141-144; The Finnish New Wave as a Transnational Phenomenon, Pietari Kääpä, Pages 145-169; Popular Modernism, Kimmo Laine, Pages 171-184; An Increasingly European Nation, Henry Bacon, Pages 187-190; International Networks of Production and Distribution, Henry Bacon, Pages 191-201; Producer-led Mode of Film Production, Pietari Kääpä, Pages 203-210; Two Modes of Transnational Filmmaking, Henry Bacon, Jaakko Seppälä, Pages 211-222; Finnish Films and International Festivals, Anneli Lehtisalo, Pages 223-226.
Huomautus sisällöstä, tiivistelmä tms. This book presents an expert analysis of the transnational aspects of Finnish cinema throughout its history. As a small nation cinema, Finnish film culture has, even at its most nationalistic, always been attached to developments in other film producing nations in terms of production and distribution as well as genres and aesthetics. Recent developments in film theory offer exciting new approaches and methodologies for the study of transnational phenomena in the field of film culture, both past and present. The authors employ a wide range of cutting edge methodologies in order to address the major issues involved in transnational approaches to film culture. Until recently, much of this research has focused on globalization and questions related to diasporic cinema, while transnational issues related to small nation film cultures have been marginalized. This study focuses on how small nation cinemas have faced the dilemma of contributing to the construction and maintenance of national culture and identity, while responding to audience tastes largely shaped by foreign cinemas. With Finland’s intriguing political placement between East and West, along with the high portion of film history preserved in Finnish archives, this thoroughly contextualized multidisciplinary analysis of Finnish film history serves as an illuminating case study of the transnational aspects of small nation cinemas.
Asiasana
Henkilönnimi Bacon, Henry, toimittaja.
ISBN
*000 am a a
*00117101
*008 |2016 xxk e| ||| 0|eng||
*020 $a9781349846757$qnidottu
*040 $aFI-CUTE$bfin$erda
*0410 $afin
*084 $a77.492$2ykl
*24510$aFinnish Cinema :$bA Transnational Enterprise /$cEdited by Henry Bacon.
*264 1$aLondon :$bPalgrave Macmillan,$c2016.
*300 $a285 sivua ;$c21 cm
*336 $ateksti$btxt$2rdacontent
*337 $akäytettävissä ilman laitetta$bn$2rdamedia
*338 $anide$bnc$2rdacarrier
*4901 $aPalgrave European Film and Media Studies
*505 $aIntroduction to the Study of Transnational Small Nation Cinema, Henry Bacon, Pages 1-19; A Young Nation Seeking to Define Itself: Finland in 1900–1930, Outi Hupaniittu, Pages 23-26; The Emergence of Finnish Film Production and Its Linkages to Cinema Businesses During the Silent Era, Outi Hupaniittu, Pages 27-50; Finnish Film Style in the Silent Era, Jaakko Seppälä, Pages 51-80; War and Peace: Finland Among Contending Nations, Anneli Lehtisalo, Pages 83-86; Conceptions of National Film Style During the Studio Era, Kimmo Laine, Pages 87-113; Exporting Finnish Films, Anneli Lehtisalo, Pages 115-138; Trade and Diplomacy Between East and West, Henry Bacon, Pages 141-144; The Finnish New Wave as a Transnational Phenomenon, Pietari Kääpä, Pages 145-169; Popular Modernism, Kimmo Laine, Pages 171-184; An Increasingly European Nation, Henry Bacon, Pages 187-190; International Networks of Production and Distribution, Henry Bacon, Pages 191-201; Producer-led Mode of Film Production, Pietari Kääpä, Pages 203-210; Two Modes of Transnational Filmmaking, Henry Bacon, Jaakko Seppälä, Pages 211-222; Finnish Films and International Festivals, Anneli Lehtisalo, Pages 223-226.
*520 $aThis book presents an expert analysis of the transnational aspects of Finnish cinema throughout its history. As a small nation cinema, Finnish film culture has, even at its most nationalistic, always been attached to developments in other film producing nations in terms of production and distribution as well as genres and aesthetics. Recent developments in film theory offer exciting new approaches and methodologies for the study of transnational phenomena in the field of film culture, both past and present. The authors employ a wide range of cutting edge methodologies in order to address the major issues involved in transnational approaches to film culture. Until recently, much of this research has focused on globalization and questions related to diasporic cinema, while transnational issues related to small nation film cultures have been marginalized. This study focuses on how small nation cinemas have faced the dilemma of contributing to the construction and maintenance of national culture and identity, while responding to audience tastes largely shaped by foreign cinemas. With Finland’s intriguing political placement between East and West, along with the high portion of film history preserved in Finnish archives, this thoroughly contextualized multidisciplinary analysis of Finnish film history serves as an illuminating case study of the transnational aspects of small nation cinemas.
*650 7$aelokuva-ala$0http://www.yso.fi/onto/yso/p11124$2yso/fin
*650 7$aelokuvateollisuus$2yso/fin$0http://www.yso.fi/onto/yso/p6040
*650 7$aelokuvatuotanto$2yso/fin$0http://www.yso.fi/onto/yso/p19423
*650 7$aelokuvat$0http://www.yso.fi/onto/yso/p1235$2yso/fin
*650 7$aelokuvahistoria $2yso/fin$0http://www.yso.fi/onto/yso/p27553
*650 7$akulttuuriperintö$2yso/fin$0http://www.yso.fi/onto/yso/p8475
*7001 $aBacon, Henry,$etoimittaja.
*852 $h77.492 FIN
^
Tästä teoksesta ei ole arvioita.
Näpäytä
kun haluat kirjoittaa ensimmäisen arvion.
This book presents an expert analysis of the transnational aspects of Finnish cinema throughout its history. As a small nation cinema, Finnish film culture has, even at its most nationalistic, always been attached to developments in other film producing nations in terms of production and distribution as well as genres and aesthetics. Recent developments in film theory offer exciting new approaches and methodologies for the study of transnational phenomena in the field of film culture, both past and present. The authors employ a wide range of cutting edge methodologies in order to address the major issues involved in transnational approaches to film culture. Until recently, much of this research has focused on globalization and questions related to diasporic cinema, while transnational issues related to small nation film cultures have been marginalized. This study focuses on how small nation cinemas have faced the dilemma of contributing to the construction and maintenance of national culture and identity, while responding to audience tastes largely shaped by foreign cinemas. With Finland’s intriguing political placement between East and West, along with the high portion of film history preserved in Finnish archives, this thoroughly contextualized multidisciplinary analysis of Finnish film history serves as an illuminating case study of the transnational aspects of small nation cinemas.