Henkilönnimi Suominen, Seppo, kirjoittaja.
Nimeke- ja vastuullisuusmerkintö On the optimal level of theatre subsidies
Julkaistu Kulttuuripolitiikan tutkimuksen seura, 2022.
Ulkoasutiedot
Sarjamerkintö ei-lisäkirjausmuodossa Kulttuuripolitiikan tutkimuksen vuosikirja, ISSN 2343-290X ; 6(1)
Huomautus sisällöstä, tiivistelmä tms. This article examines public subsidies and ticket pricing in Finnish theatre institutions by using the principal-agent model. The model follows the ideas presented by Prieto-Rodríguez and Fernández-Blanko (2006) in their article on the British museum sector. The idea of this article is to test how well their theoretical model is in line with the data on Finnish theatres. The aim of this paper to justify the high share of public subsidies to theatre sector and to show that ticket pricing should be in the inelastic segment on the demand schedule. The data on Finnish theatres covers years 2007 – 2011 with 58 theatres subsidised by the law, including the Finnish National Opera. The results of the empirical examination show that the demand of theatre services is price inelastic. According to the results, an increase in the number of visitors increases also optimal subsidies but less than proportionally indicating that the share of public subsidies should be lower in larger towns where the potential for theatre visits is higher due to a larger population. The article argues that even though using economic approaches in examining arts and culture is not unproblematic, they should be used and further developed.
Asiasana
Sarjalisäkirjaus - yhtenäistetty nimeke Kulttuuripolitiikan tutkimuksen vuosikirja, 2343-290X ; 6(1).
Elektronisen aineiston sijainti ja käyttö (URI) https://doi.org/10.17409/kpt.125642 Linkki verkkoaineistoon
*000 ab a ar
*00117489
*008 s2022||||fi |||||||||||||||||eng||
*040 $aFI-CUTE$bfin$erda
*041 $aeng
*1001 $aSuominen, Seppo,$ekirjoittaja.
*24510$aOn the optimal level of theatre subsidies /$cSeppo Suominen.
*264 1$bKulttuuripolitiikan tutkimuksen seura,$c2022.
*300 $a1 verkkoaineisto (12 s.)
*336 $ateksti$btxt$2rdacontent
*337 $atietokonekäyttöinen$bc$2rdamedia
*338 $averkkoaineisto$bcr$2rdacarrier
*4901 $aKulttuuripolitiikan tutkimuksen vuosikirja,$x2343-290X ;$v6(1)
*520 $aThis article examines public subsidies and ticket pricing in Finnish theatre institutions by using the principal-agent model. The model follows the ideas presented by Prieto-Rodríguez and Fernández-Blanko (2006) in their article on the British museum sector. The idea of this article is to test how well their theoretical model is in line with the data on Finnish theatres. The aim of this paper to justify the high share of public subsidies to theatre sector and to show that ticket pricing should be in the inelastic segment on the demand schedule. The data on Finnish theatres covers years 2007 – 2011 with 58 theatres subsidised by the law, including the Finnish National Opera. The results of the empirical examination show that the demand of theatre services is price inelastic. According to the results, an increase in the number of visitors increases also optimal subsidies but less than proportionally indicating that the share of public subsidies should be lower in larger towns where the potential for theatre visits is higher due to a larger population. The article argues that even though using economic approaches in examining arts and culture is not unproblematic, they should be used and further developed.
*650 7$ateatteritaide$2yso/fin$0http://www.yso.fi/onto/yso/p2625
*650 7$ateatteritapahtumat$2yso/fin$0http://www.yso.fi/onto/yso/p2315
*650 7$ahinnoittelu$2yso/fin$0http://www.yso.fi/onto/yso/p10773
*650 7$ateatterit (organisaatiot )$2yso/fin$0http://www.yso.fi/onto/yso/p3203
*830 0$aKulttuuripolitiikan tutkimuksen vuosikirja,$x2343-290X ;$v6(1).
*85640$uhttps://doi.org/10.17409/kpt.125642$yLinkki verkkoaineistoon
^
Tästä teoksesta ei ole arvioita.
Näpäytä
kun haluat kirjoittaa ensimmäisen arvion.