Hylly
Henkilönnimi Decter, Joshua, kirjoittaja.
Nimeke- ja vastuullisuusmerkintö Exhibition as social intervention : 'culture in action' 1993
Julkaistu Afterall, London : 2014.
Koenig Books London :
SAB-luokituskoodi
Muu luokituskoodi
Ulkoasutiedot 224 sivua : kuvitettu ; 22 cm
Sarjamerkintö ei-lisäkirjausmuodossa
Huomautus bibliografiasta ym. Sisältää bibliografisia viitteitä (sivut 218-219) ja hakemiston.
Huomautus sisällöstä Introduction : exhibition as social intervention / David Morris and Paul O'Neill -- Culture in action : exhibition as social redistribution / Joshua Decter -- The turn from the turns : an avant-garde moving out the centre (1986-93) / Helmut Draxler -- 'Culture in action', Chicago, 1993 -- The new public art : as opposed to what? / Hafþór Yngvason, 1993 -- 'Culture in action' / Joe Scanlan, 1993 -- 'Chicago is culture in action' / Mary Jane Jacob, 2013 -- Interviews / Mark Dion in correspondence with Stephanie Smith ; Simon Grennan, of Grennan & Sperandio, in conve.rsation with Lucy Steeds ; Daniel J. Martinez and Michael Brenson in conversation.
Huomautus sisällöstä, tiivistelmä tms. A show challenging conventional understandings of public art, Culture in Action in Chicago had a new social agenda, and rethought what an exhibition of contemporary art might be. Through eight projects by artists initiated in the early 1990s and developed in collaboration with local people, the intention was to engage diverse groups over time, in addition to the visiting public in 1993. In the fifth book in Afterall's Exhibition Histories series, the course of these projects is documented, with critical reappraisal of this important exhibition in newly commissioned essays and interviews, together with reviews from the time.
Asiasana
Maantieteellinen nimi asiasanana
Henkilönnimi Draxler, Helmut, toimittaja.
ISBN
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*520 $aA show challenging conventional understandings of public art, Culture in Action in Chicago had a new social agenda, and rethought what an exhibition of contemporary art might be. Through eight projects by artists initiated in the early 1990s and developed in collaboration with local people, the intention was to engage diverse groups over time, in addition to the visiting public in 1993. In the fifth book in Afterall's Exhibition Histories series, the course of these projects is documented, with critical reappraisal of this important exhibition in newly commissioned essays and interviews, together with reviews from the time.
*650 7$ataide$2yso/fin$0http://www.yso.fi/onto/yso/p2851
*650 7$ayhteiskunta$2yso/fin$0http://www.yso.fi/onto/yso/p9778
*650 7$ataidenäyttelyt$2yso/fin$0http://www.yso.fi/onto/yso/p6889
*650 7$ajulkinen taide$2yso/fin$0http://www.yso.fi/onto/yso/p16782
*650 7$ayhteisötaide $2yso/fin$0http://www.yso.fi/onto/yso/p11231
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*7001 $aDraxler, Helmut,$etoimittaja.
*852 $h70 DEC
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A show challenging conventional understandings of public art, Culture in Action in Chicago had a new social agenda, and rethought what an exhibition of contemporary art might be. Through eight projects by artists initiated in the early 1990s and developed in collaboration with local people, the intention was to engage diverse groups over time, in addition to the visiting public in 1993. In the fifth book in Afterall's Exhibition Histories series, the course of these projects is documented, with critical reappraisal of this important exhibition in newly commissioned essays and interviews, together with reviews from the time.