Hylly
Henkilönnimi Létourneau, Danielle, kirjoittaja.
Nimeke- ja vastuullisuusmerkintö Audiovisual copyright, an evolving culture
Julkaistu Our Knowledge Publishing, 1995.
SAB-luokituskoodi
Muu luokituskoodi
Painos Vuoden 2023 uudelleenpainos
Ulkoasutiedot
Huomautus sisällöstä Audiovisual culture : a culture and a changing law, Danielle Létourneau, Montreal, Quebec, 1995.
Huomautus sisällöstä, tiivistelmä tms. The issue of copyright ownership in cinematographic works became controversial in Canada in 1993 during the preparation of Bill C-115, the implementation of the North American Free Trade Agreement: the federal government proposed that the director be the author of the cinematographic work and that the producer be the first owner of copyright in the work. The massive opposition of authors prevented the adoption of this proposal and the Canadian legislator chose instead to maintain the status quo with respect to this category of work: the cinematographic work is still, under the Copyright Act, considered a dramatic work and the author is the person who created it. The particularity of the audiovisual or cinematographic work comes from the fact that it involves a plurality of authors who collaborate in the creation of the common work. On the international scene, the notion of author, for this category of work, has evolved according to opposite principles according to whether it is a "copyright" country or a "copyright" country.
Asiasana
Maantieteellinen nimi asiasanana
ISBN
*000 am a a
*00121869
*008 |1995 xxc e| ||| 0|eng||
*020 $a9786206041054$qpehmeäkantinen
*040 $aFI-CUTE$bfin$erda
*084 $a33.34$2ykl
*1001 $aLétourneau, Danielle,$ekirjoittaja.
*24510$aAudiovisual copyright, an evolving culture /$cDanielle Létourneau.
*250 $aVuoden 2023 uudelleenpainos
*264 1$bOur Knowledge Publishing,$c1995.
*300 $a111 sivua ;$c23 cm
*336 $ateksti$btxt$2rdacontent
*337 $akäytettävissä ilman laitetta$bn$2rdamedia
*338 $anide$bnc$2rdacarrier
*505 $aAudiovisual culture : a culture and a changing law, Danielle Létourneau, Montreal, Quebec, 1995.
*520 $aThe issue of copyright ownership in cinematographic works became controversial in Canada in 1993 during the preparation of Bill C-115, the implementation of the North American Free Trade Agreement: the federal government proposed that the director be the author of the cinematographic work and that the producer be the first owner of copyright in the work. The massive opposition of authors prevented the adoption of this proposal and the Canadian legislator chose instead to maintain the status quo with respect to this category of work: the cinematographic work is still, under the Copyright Act, considered a dramatic work and the author is the person who created it. The particularity of the audiovisual or cinematographic work comes from the fact that it involves a plurality of authors who collaborate in the creation of the common work. On the international scene, the notion of author, for this category of work, has evolved according to opposite principles according to whether it is a "copyright" country or a "copyright" country.
*650 7$atekijänoikeus$0http://www.yso.fi/onto/yso/p2346$2yso/fin
*650 7$atekijänoikeuslaki$2yso/fin$0http://www.yso.fi/onto/yso/p9817
*650 7$aaudiovisuaalinen ala $2yso/fin$0http://www.yso.fi/onto/yso/p19969
*650 7$aaudiovisuaalinen aineisto$2yso/fin$0http://www.yso.fi/onto/yso/p6545
*651 7$aKanada$0http://www.yso.fi/onto/yso/p105377$2yso/fin
*852 $h33.34 LÉT
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