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European Capitals of Culture as Cultural Meeting Places : Strategies of representing Cultural Diversity
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Henkilönnimi
  • Lähdesmäki, Tuuli, kirjoittaja.
Nimeke- ja vastuullisuusmerkintö
  • European Capitals of Culture as Cultural Meeting Places : Strategies of representing Cultural Diversity
Julkaistu
  • 2010.
Ulkoasutiedot
  • 1 verkkoaineisto (17 sivua)
Sarjamerkintö ei-lisäkirjausmuodossa
  • Nordisk kulturpolitisk tidsskrift, ISSN 2000-8325 ; 13(1)
Huomautus sisällöstä, tiivistelmä tms.
  • The European Union nominates cities as European Capitals of Culture in order to highlight the richness and diversity of European cultures and the features they share, as well as to promote greater mutual acquaintance between European citizens. For the chosen cities, the nomination creates a possibility to promote the cultural identity, originality and diversity of the region and city. The empirical focus of the article is on three cities which were chosen as European Capitals of Culture for 2010 (Pécs in Hungary), and 2011 (Tallinn in Estonia and Turku in Finland). The cities utilize various strategies in emphasizing and representing their cultural diversity. All of the cities stress their location as a historical meeting place of different ethnicities and nationalities. Additionally, the cities stress their architecture as an expression of multicultural layers of the cities. In the cities, cultural diversity is related to the global imagery of popular culture, street culture and contemporary art. In addition, the cities stress the canon of Western art history as a base for common Europeanness compounded of various nationalities and regionalities. One essential strategy is to represent different minorities and their visual culture as signs of cultural diversity. Cultural diversity is a complex and political concept. Its definitions and representations inevitably involve power structures and production of cultural and political hierarchies. Hierarchies and political tension are bound to the concept even though it is often introduced as equal and anti-racist discourse.
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  • Nordisk kulturpolitisk tidsskrift, 2000-8325 ; 13(1)
Elektronisen aineiston sijainti ja käyttö (URI)
  • https://doi.org/10.18261/ISSN2000-8325-2010-01-04 Linkki verkkoaineistoon 
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*520  $aThe European Union nominates cities as European Capitals of Culture in order to highlight the richness and diversity of European cultures and the features they share, as well as to promote greater mutual acquaintance between European citizens. For the chosen cities, the nomination creates a possibility to promote the cultural identity, originality and diversity of the region and city. The empirical focus of the article is on three cities which were chosen as European Capitals of Culture for 2010 (Pécs in Hungary), and 2011 (Tallinn in Estonia and Turku in Finland). The cities utilize various strategies in emphasizing and representing their cultural diversity. All of the cities stress their location as a historical meeting place of different ethnicities and nationalities. Additionally, the cities stress their architecture as an expression of multicultural layers of the cities. In the cities, cultural diversity is related to the global imagery of popular culture, street culture and contemporary art. In addition, the cities stress the canon of Western art history as a base for common Europeanness compounded of various nationalities and regionalities. One essential strategy is to represent different minorities and their visual culture as signs of cultural diversity. Cultural diversity is a complex and political concept. Its definitions and representations inevitably involve power structures and production of cultural and political hierarchies. Hierarchies and political tension are bound to the concept even though it is often introduced as equal and anti-racist discourse.
*61024$aEuroopan unioni$0(FI-ASTERI-N)000035482
*650 7$akulttuuripolitiikka$2yso/fin$0http://www.yso.fi/onto/yso/p13671
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