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The Art World of Digital Assets : How Non-Fungible Tokens Create a Loophole in Anti-Money Laundering Regulations
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Henkilönnimi
  • Aizenman, Sofia, kirjoittaja.
Nimeke- ja vastuullisuusmerkintö
  • The Art World of Digital Assets : How Non-Fungible Tokens Create a Loophole in Anti-Money Laundering Regulations
Julkaistu
  • Benjamin N. Cardozo School of Law, Yeshiva University, 2023.
Ulkoasutiedot
  • 1 verkkoaineisto (31 sivua)
Sarjamerkintö ei-lisäkirjausmuodossa
  • Cardozo Law Review, ISSN 2169-4893 ; 44(3)
Huomautus sisällöstä, tiivistelmä tms.
  • This Note argues that the rapid development of NFTs should alert legislatures and administrative agencies to the foreseeable increase in money laundering activity. Part I of this Note discusses the history of the Bank Secrecy Act of 1970 (BSA) and illustrates how criminals can use art as an efficient money laundering tool. It also describes certain aspects of the art business that influence its susceptibility to criminal activity. Part I then turns to NFTs, providing a detailed explanation of their structure, valuation, and impact on the traditional art industry. Finally, Part I ends by considering the lack of anti-money laundering regulations imposed on the art market. Part II evaluates how NFTs could be read into existing cryptocurrency and securities regulations, while identifying the advantages, disadvantages, and potential issues of each interpretation. Part III proposes that the Financial Crimes Enforcement Network (FinCEN) should incorporate NFTs within the definition of antiquities under the BSA for purposes of combatting money laundering.
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  • Cardozo Law Review, 2169-4893 ; 44(3).
Elektronisen aineiston sijainti ja käyttö (URI)
  • https://cardozolawreview.com/wp-content/uploads/2023/04/AIZENMAN-44.3.6.pdf Linkki verkkoaineistoon
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*520  $aThis Note argues that the rapid development of NFTs should alert legislatures and administrative agencies to the foreseeable increase in money laundering activity. Part I of this Note discusses the history of the Bank Secrecy Act of 1970 (BSA) and illustrates how criminals can use art as an efficient money laundering tool. It also describes certain aspects of the art business that influence its susceptibility to criminal activity. Part I then turns to NFTs, providing a detailed explanation of their structure, valuation, and impact on the traditional art industry. Finally, Part I ends by considering the lack of anti-money laundering regulations imposed on the art market. Part II evaluates how NFTs could be read into existing cryptocurrency and securities regulations, while identifying the advantages, disadvantages, and potential issues of each interpretation. Part III proposes that the Financial Crimes Enforcement Network (FinCEN) should incorporate NFTs within the definition of antiquities under the BSA for purposes of combatting money laundering.
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