Nimeke- ja vastuullisuusmerkintö Dance arts : historical perspectives and contemporary practices
Julkaistu ©2023
Taideyliopiston Teatterikorkeakoulu, 2023.
SAB-luokituskoodi
Muu luokituskoodi
Ulkoasutiedot
Sarjamerkintö ei-lisäkirjausmuodossa Teatterikorkeakoulun julkaisusarja, ISSN 2242-6507 ; 79
Huomautus sisällöstä 1 Stories of Origin -- Dance and Rituals /Jukka O. Miettinen -- Unlocking the Ancient Art of Dance - Dance as a Profession / Manna Satama -- Dancing Chorus in Ancient Greek Drama / Manna Satama & Vesa Vahtikari -- The Significance of Antiquity for Art Dance / Hanna Järvinen -- 2 The Transgenerational Continuum of Ballet -- A Cultural History of Ballet - Five Centuries of a European Art Form / Hanna Järvinen -- William Forsythe’s Postdramatic Ballet and Choreographic Installations / Mikael Aaltonen -- Orientalism in Ballet / Hanna Järvinen -- The Long History of Orientalism / Jukka O. Miettinen -- The Rite of Spring / Hanna Järvinen -- 3 Expressions of Dance Modernisms -- Developments of Dance Modernisms from the 20th Century Onwards / Riikka Laakso -- Hellerau and Transnational Modern Dance / Johanna Laakkonen -- Afrodiasporic and Pan-African Modern Dance / Hanna Väätäinen -- Merce Cunningham – 65 Years of Rethinking Choreography and Artistic Coexistence / Riikka Laakso -- 4 Postmodernism in Dance (1960–1970) -- The Postmodern Spectrum – New Openings and Radical Redefinitions of Dance in the 1960s / Kirsi Monni -- Community in Afrodiasporic Concert Dance / Hanna Väätäinen -- Yvonne Rainer and the Questioning of Choreographic Conventions / Riikka Laakso -- Trisha Brown – Choreography as a System that Makes Dance Happen / Riikka Laakso -- Butoh’s Revolutionary Aesthetics and Influence on Contemporary Western Dance / Anna Thuring -- The History and Characteristics of Contact Improvisation / Mirva Mäkinen -- Working with Images as a Basis for New Dance Techniques / Riitta Pasanen-Willberg -- 5 Innovators of European Dance in the 1980s -- Pina Bausch – Historically Conscious and Radical Reformer of Dance Theatre / Liisa Pentti -- Anne Teresa De Keersmaeker – Minimalist of European Dance Art / Liisa Pentti -- DV8 Physical Theatre as an Example of Norm Critical Dance Theatre / Aino Kukkonen -- 6 Multiplicity of Contemporary Dance -- Contemporary Dance Since the 1990s – a Brief Overview / Kirsi Monni -- The Embodied Practice of Perception as a Starting Point for Dance – Deborah Hay / Kirsi Monni -- Black Sensibilities – Contemporary Dance of an African Diaspora / Thomas F. DeFrantz -- Discursive Practices in Choreography – Jérôme Bel, Vera Mantero and Xavier Le Roy / Kirsi Monni -- La Ribot – Embodied Dialogues / Riikka Laakso -- Ableism in Dance and Disabled Dancers / Hanna Väätäinen -- Dance Film – an Alliance of Dance and Moving Image / Hanna Pajala-Assefa -- Dance Art and the Internet Age – What is the New Aesthetics of Dance? / Ari Tenhula -- Dance and Technology – New Stages for Mediated Bodies / Hanna Pajala-Assefa -- Artist, Researcher and the Challenge of Writing / Simo Kellokumpu.
Huomautus sisällöstä, tiivistelmä tms. This book is based on the 2022 textbook, Näkökulmia tanssitaiteen historiaan ja nykypäivään, the first comprehensive presentation in Finnish of the historical trajectories and features of Western dance as a performing art. Like its Finnish original, this book is an approachable general textbook that describes, presents and analyses its topic from the many perspectives relevant to dance art in the 2020s. This translation emerged from the needs of the UNIARTS MA programmes where tuition is offered in English as well as the internationalisation of the field of dance and performance in general. The book is organised chronologically because, alongside the complexity of the world, we editors recognise the need to structure the history of dance in a manner that considers artists and creators in relation to the frameworks and phenomena of their own era. Despite the chronological structure, the volume is not intended to be read from beginning to end. The purpose of the book is to approach history from the present: to reread the canon, to consider what in the past resonates now, and to highlight previously excluded histories and neglected figures. We are aware that in the 2020s we need to question any Eurocentric history that emphasises almost exclusively white actors and normative bodies. We are only at the beginning of this development. Even so, we hope that this book will enrich and broaden our understanding of dance art – of how dance has been, at different times, a diverse field of artistic thought, experimentation and development, always in relation to its cultural environment. The topics covered in the book range from the long histories of using ritual practices or Antiquity to justify dance as art, from the different influences of ballet and Afrodiasporic practices to the interaction between dance and technology in the 21st century and disability dance. The 18 contributors are experts in their fields, artists and researchers. Each section of the book begins with a brief summary of the content of the articles in that section.
Asiasana
Henkilönnimi Monni, Kirsi, toimittaja. Laakso, Riikka, toimittaja. Järvinen, Hanna, toimittaja.
Sarjalisäkirjaus - yhtenäistetty nimeke Teatterikorkeakoulun julkaisusarja, 2242-6507 ; 79.
Elektronisen aineiston sijainti ja käyttö (URI) https://urn.fi/URN:ISBN:978-952-353-070-6 https://disco.teak.fi/tanssin-historia/en/ Linkki verkkoaineistoon
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