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Nimeke- ja vastuullisuusmerkintö Why exhibit? : positions on exhibiting photographies
Muut nimekkeet Positions on exhibiting photographies
Julkaistu Fw:Books ; The Academy of Fine Arts, University of the Arts Helsinki, Amsterdam : Helsinki : [2018].
©2018
SAB-luokituskoodi
Muu luokituskoodi
Ulkoasutiedot 367 sivua : kuvitettu ; 24 cm
Yleinen huomautus 'This book was accompanied by the symposium 'Why exhibit? Provoking questions about exhibiting (extended) photography', which was organized during Krakow Photomonth 2018, Krakow, Poland, June 1, 2018.' With essays from: Gigi Argyropoulou, Taco Hidde Bakker, Nicolò Degiorgis, Doris Gassert, Marko Karo, Kim Knoppers, Suvi Lehtinen, Tanvi Mishra, Niclas Östlind, Krzysztof Pijarski, Karolina Puchała-Rojek, Tuomo Rainio, Anna-Kaisa Rastenberger, Iris Sikking, Anna Tellgren, Lars Willumeit. And conversations with: Ahmed Alalousi, Lisa Barnard, Natasha Caruana, Mark Curran, Robert Knoth, Bettina Leidl, Marina Paulenka, Rune Peitersen, Susan Schuppli, Jules Spinatsch, Penelope Umbrico, Anni Wallenius.
Huomautus bibliografiasta ym. Includes bibliographical references. Sisältää bibliografisia viitteitä.
Huomautus sisällöstä How to deal with liquidity? -- What's been viewed? -- How to frame? -- Who's narrating the spade? -- Where to meet?
Huomautus sisällöstä, tiivistelmä tms. The publication Why Exhibit? Positions on Exhibiting Photographies offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In theDigital Age, "photography" is best described withadjectives connoting a medium in constant flux: liquid, fluid, flexible, unstable. As such, there is no primary format for displaying photographs. However, with all of the medium’s formats, modes, and approaches, it is important to question how we see photographic images—and to ask why, by whom, and for what purposes the images were produced in the first place. By drawing upon the diverse perspectives of a group of curators, scholars, photographers, and artists based in the field of contemporary photography, this volume aims to provide a foundation for a wider discourse about exhibiting photographies in the twenty-first century.With essays from: Gigi Argyropoulou, Taco Hidde Bakker, Nicoló Degiorgis, Doris Gassert, Marko Karo, Kim Knoppers, Suvi Lehtinen, Tanvi Mishra, Niclas Östlind, Krzysztof Pijarski, Karolina Puchała-Rojek, Tuomo Rainio, Anna-Kaisa Rastenberger, Iris Sikking, Anna Tellgren, Lars Willumeit.And conversations with: Ahmed Alalousi, Lisa Barnard, Natasha Caruana, Mark Curran, Robert Knoth, Bettina Leidl, Marina Paulenka, Rune Peitersen, Susan Schuppli, Jules Spinatsch, Penelope Umbrico, Anni Wallenius. -- Provided by the publisher.
Huomautus saatavuudesta toisessa ilmiasussa Julkaistu myös verkkoaineistona.
Aikaa ilmaiseva termi asiasanana
Asiasana
Henkilönnimi Rastenberger, Anna-Kaisa, toimittaja. Sikking, Iris, toimittaja.
Yhteisönnimi Kuvataideakatemia, kustantaja. Taideyliopiston Kuvataideakatemia.
Toinen ilmiasu Verkkoaineisto: ISBN 978-952-7131-57-2
ISBN 978-94-90119-72-0 978-952-7131-56-5
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*500 $a'This book was accompanied by the symposium 'Why exhibit? Provoking questions about exhibiting (extended) photography', which was organized during Krakow Photomonth 2018, Krakow, Poland, June 1, 2018.'
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*520 $aThe publication Why Exhibit? Positions on Exhibiting Photographies offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In theDigital Age, "photography" is best described withadjectives connoting a medium in constant flux: liquid, fluid, flexible, unstable. As such, there is no primary format for displaying photographs. However, with all of the medium’s formats, modes, and approaches, it is important to question how we see photographic images—and to ask why, by whom, and for what purposes the images were produced in the first place. By drawing upon the diverse perspectives of a group of curators, scholars, photographers, and artists based in the field of contemporary photography, this volume aims to provide a foundation for a wider discourse about exhibiting photographies in the twenty-first century.With essays from: Gigi Argyropoulou, Taco Hidde Bakker, Nicoló Degiorgis, Doris Gassert, Marko Karo, Kim Knoppers, Suvi Lehtinen, Tanvi Mishra, Niclas Östlind, Krzysztof Pijarski, Karolina Puchała-Rojek, Tuomo Rainio, Anna-Kaisa Rastenberger, Iris Sikking, Anna Tellgren, Lars Willumeit.And conversations with: Ahmed Alalousi, Lisa Barnard, Natasha Caruana, Mark Curran, Robert Knoth, Bettina Leidl, Marina Paulenka, Rune Peitersen, Susan Schuppli, Jules Spinatsch, Penelope Umbrico, Anni Wallenius. --$cProvided by the publisher.
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