Tekijänoikeuden erikoiskirjasto : International protection of performers× rights

Hylly	MORGAN 33.34
Henkilönnimi	Morgan, Owen.
Nimeke- ja vastuullisuusmerkintö	International protection of performers× rights
Julkaistu	Hart Publishing, Oxford : 2002.
SAB-luokituskoodi	33.34
Muu luokituskoodi	33.34
Ulkoasutiedot	271 s.
Huomautus sisällöstä, tiivistelmä tms.	The book provides a comparative analysis of the protection afforded to performers in the three relevant international instruments: the Rome Convention (1961), the TRIPS Agreement (1994) and the WIPO Performances and Phonograms Treaty (1996) that together form the international system of performers rights. The literature on performers rights takes usually the form of either an analysis of the provisions of individual international instruments or an analysis of the performers rights provisions in domestic legislations. Written to fill a gap in that literature, this book views performers rights in the round, reflects on the issues that should be considered when formulating performers rights and analyses these issues in the context of the three international instruments. The underlying purpose of the study is to establish whether these international instruments provide an appropriate system of protection of performers on an international level. The first step in determining appropriateness is asking a series of simple questions: what is a performance; from whom and from what do performers need protection; can protection for performers be justified? Part I formulates the questions, while the answers on the underlying issues are developed in Part II. The structure of the existing protection is in the focus of Part III, where an analysis of the relevant provisions of the three instruments is made. The Conclusions are summarized, first, in respect of the issues discussed in Part II, and then, in respect of the chapters in Part III. Further, the Conclusions address three specific problems identified in the discussion, namely: audiovisual performances, ownership and scope of the performances definition. Finally, the last question to be answered by the author, is the one about the appropriateness of the system of protection of performers rights. This book will be of value to practitioners, academics and government officials interested in determining the future shape of national law. It will also provide assistance to officials in performers and producers unions and guilds.
Asiasana - Kontrolloimaton	ESITTÄVÄ TAITEILIJA KANSAINVÄLINEN SOPIMUKSET TALOUDELLISET OIKEUDET VASTAVUOROISUUS SUOJA-AIKA AUDIOVISUAALINEN
ISBN	(1-84113-285-3)

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