Henkilönnimi Johansson, Daniel, kirjoittaja.
Nimeke- ja vastuullisuusmerkintö Revenue Distribution From Music Streaming - A Quantitative Analysis of Swedish Artists on Spotify
Julkaistu The Inland Norway University of Applied Science, 2023.
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Huomautus sisällöstä, tiivistelmä tms. Since the release of Spotify in 2008, the discussion over artist remuneration fromthe platform has been fierce. In this study, all Swedish artists that have generatedmore than 1 million streams on Spotify since its release in 2008, have beenanalyzed. Detailed data has been gathered for every track available from eachartist, and aggregated total figures have been calculated. In total, 267.8 billionstreams were included. The genre composition of the aggregated total has beeninvestigated, showing how each genre has performed since the beginning.Furthermore, a simulation has been made as to how much revenues artists couldhave generated during their lifetime on Spotify , in three royalty scenarios. Theresults shows which Swedish artists and genres have benefitted from the Spotify streaming model, and which kinds of artists have not been able to convert theirartistry to the streaming domain.
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Elektronisen aineiston sijainti ja käyttö (URI) https://www.researchgate.net/publication/370592212_Revenue_Distribution_From_Music_Streaming_-_A_Quantitative_Analysis_of_Swedish_Artists_on_Spotify Linkki verkkoaineistoon
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*520 $aSince the release of Spotify in 2008, the discussion over artist remuneration fromthe platform has been fierce. In this study, all Swedish artists that have generatedmore than 1 million streams on Spotify since its release in 2008, have beenanalyzed. Detailed data has been gathered for every track available from eachartist, and aggregated total figures have been calculated. In total, 267.8 billionstreams were included. The genre composition of the aggregated total has beeninvestigated, showing how each genre has performed since the beginning.Furthermore, a simulation has been made as to how much revenues artists couldhave generated during their lifetime on Spotify , in three royalty scenarios. Theresults shows which Swedish artists and genres have benefitted from the Spotify streaming model, and which kinds of artists have not been able to convert theirartistry to the streaming domain.
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