Hylly
Henkilönnimi
Nimeke- ja vastuullisuusmerkintö Contracts, patronage and mediation : the articulation of global and local in the South African recording industry
Julkaistu Palgrave Macmillan, Basingstoke : 2015.
SAB-luokituskoodi
Muu luokituskoodi
Ulkoasutiedot
Sarjamerkintö ei-lisäkirjausmuodossa Pop music, Culture and Identity
Huomautus sisällöstä, tiivistelmä tms. Contracts, Patronage and Mediation studies the long-term developments in the South African recording industry. It adds to the existing literature an understanding of the prevalence of informal negotiations over rights, rewards and power in the recording industry. The book is original in that it uses several disciplines' approaches and methods. It combines a wide array of different industry participants' -often vividly expressed- views and experiences with statistical information and the existing literature's findings. The book argues that alongside the global contract model, in South Africa there exists another mode of organizing recording industry relationships, which is based on the patronage model. Furthermore, the book states that such features are probably not unique to South Africa, but can also be found in recording industries elsewhere, even though they have not previously been thoroughly investigated. Introduction -- 1. The South African Recording Industry -- 2. Recent Industry Developments -- 3. A Segmented Music Market and Attempts to Capture it -- 4. The Wholesaling and Retailing of Music -- 5. Negotiating Value in the Music Chain -- 6. Organizing Relationships in the Recording Industry : contracts and patronage -- 7. Continuities in Patronage Arrangements -- Conclusion
Asiasana - Kontrolloimaton
ISBN
*00002409nam a22003494a 4500
*00110450
*00520201106111825.0
*008160126s2015\\\\xx\||||||||||\||||||eng|c
*020 $a978-1-137-56231-9
*035 $a23115
*035 $a(PLib-conv)0000023115
*0410 $aeng
*084 $a33.34$2ykl
*1001 $aPietilä, Tuulikki.
*24510$aContracts, patronage and mediation :$bthe articulation of global and local in the South African recording industry /$cTuulikki Pietilä.
*260 $aBasingstoke :$bPalgrave Macmillan,$c2015.
*300 $axi, 239 s.
*4901 $aPop music, Culture and Identity
*520 $aContracts, Patronage and Mediation studies the long-term developments in the South African recording industry. It adds to the existing literature an understanding of the prevalence of informal negotiations over rights, rewards and power in the recording industry. The book is original in that it uses several disciplines' approaches and methods. It combines a wide array of different industry participants' -often vividly expressed- views and experiences with statistical information and the existing literature's findings. The book argues that alongside the global contract model, in South Africa there exists another mode of organizing recording industry relationships, which is based on the patronage model. Furthermore, the book states that such features are probably not unique to South Africa, but can also be found in recording industries elsewhere, even though they have not previously been thoroughly investigated. Introduction -- 1. The South African Recording Industry -- 2. Recent Industry Developments -- 3. A Segmented Music Market and Attempts to Capture it -- 4. The Wholesaling and Retailing of Music -- 5. Negotiating Value in the Music Chain -- 6. Organizing Relationships in the Recording Industry : contracts and patronage -- 7. Continuities in Patronage Arrangements -- Conclusion
*653 $aÄÄNITETEOLLISUUS
*653 $aMUSIIKKITEOLLISUUS
*653 $aMUSIIKKIMARKKINAT
*653 $aLAINSÄÄDÄNTÖ
*653 $aETELÄ-AFRIKKA
*653 $aSOSIAALISET VAIKUTUKSET
*653 $aSOUTH AFRICA
*653 $aSOCIAL ASPECTS
*653 $aMUSIC TRADE
*653 $aLAW AND LEGISTATION
*8102 $aPop music, Culture and Identity
*852 $i9723131$h33.34$cPIETILÄ
*979 $a0000023115
*999 $aMikroMarc$b[Book]$x0
^
Tästä teoksesta ei ole arvioita.
Näpäytä
kun haluat kirjoittaa ensimmäisen arvion.
This book studies the long-term developments in the South African recording industry and adds to the existing literature an understanding of the prevalence of informal negotiations over rights, rewards and power in the recording industry. It argues that patronage features often infiltrate the contractual relationships in the industry.