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Nimeke- ja vastuullisuusmerkintö An economic approach to the plagiarism of music
Julkaistu Palgrave Macmillan, Cham, Switzerland : 2020.
SAB-luokituskoodi
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Ulkoasutiedot
Sarjamerkintö ei-lisäkirjausmuodossa Cultural Economics & the Creative Economy, ISSN 2662-4478 ;
Huomautus sisällöstä What Is Plagiarism and What Is Musical Plagiarism? -- Plagiarism the Old Fashioned Way: Steal from a Composition -- Sampling, Samples and Library Music -- Policy Issues.
Huomautus sisällöstä, tiivistelmä tms. This book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists. The organisation into central chapters on the traditional literary aspect of composition and the technocratic problem of ‘sampling’ will help clarify disputes about social efficiency and equity. It will also be extremely helpful as an expository method where the text is used in courses on the music business. These issues have been explored to a great extent in other areas of musical content—notably piracy, copying and streaming. Therefore it is extremely helpful to exclude consumer use of musical content from the discussion to focus solely on the production side. This book also looks at the policy options in terms of the welfare economics of policy analysis.
Asiasana
Sarjalisäkirjaus - yhtenäistetty nimeke Cultural Economics & the Creative Economy, 2662-4478 ;
ISBN
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*24513$aAn economic approach to the plagiarism of music /$cSamuel Cameron
*264 1$aCham, Switzerland :$bPalgrave Macmillan,$c2020.
*300 $a141 s.
*4901 $aCultural Economics & the Creative Economy,$x2662-4478 ;
*505 $aWhat Is Plagiarism and What Is Musical Plagiarism? -- Plagiarism the Old Fashioned Way: Steal from a Composition -- Sampling, Samples and Library Music -- Policy Issues.
*520 $aThis book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists. The organisation into central chapters on the traditional literary aspect of composition and the technocratic problem of ‘sampling’ will help clarify disputes about social efficiency and equity. It will also be extremely helpful as an expository method where the text is used in courses on the music business. These issues have been explored to a great extent in other areas of musical content—notably piracy, copying and streaming. Therefore it is extremely helpful to exclude consumer use of musical content from the discussion to focus solely on the production side. This book also looks at the policy options in terms of the welfare economics of policy analysis.
*650 7$amusiikkiteollisuus $0http://www.yso.fi/onto/yso/p14669$2yso/fin
*650 7$aplagiaatit$0http://www.yso.fi/onto/yso/p6849$2yso/fin
*650 7$asävellykset$0http://www.yso.fi/onto/yso/p1515$2yso/fin
*650 7$atalous$0http://www.yso.fi/onto/yso/p2555$2yso/fin
*830 0$aCultural Economics & the Creative Economy,$x2662-4478 ;
*852 $h78.16 CAM
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This book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists. The organisation into central chapters on the traditional literary aspect of composition and the technocratic problem of ‘sampling’ will help clarify disputes about social efficiency and equity. It will also be extremely helpful as an expository method where the text is used in courses on the music business.These issues have been explored to a great extent in other areas of musical content—notably piracy, copying and streaming. Therefore it is extremely helpful to exclude consumer use of musical content from the discussion to focus solely on the production side. This book also looks at the policy options in terms of the welfare economics of policy analysis.