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Creative Clusters – Urban Utopia or Regional Remedy? : a Nordic perspective on the role of the creative industries in regional development
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  • SA-Nordic Journal of Media Studies
Henkilönnimi
  • Sand, Stine Agnete,
Nimeke- ja vastuullisuusmerkintö
  • Creative Clusters – Urban Utopia or Regional Remedy? : a Nordic perspective on the role of the creative industries in regional development
Julkaistu
  • 2020
Ulkoasutiedot
  • s. 109–120.
  • (pdf)
Sarjamerkintö ei-lisäkirjausmuodossa
  • Nordic Journal of Media Studies ISSN 2003-184X; 2(1)
Huomautus sisällöstä
  • The creative industries have had a major impact on cultural policy, and it is often argued that these industries can be a vehicle for regional growth. Using regional film production in Norway as a case, I discuss the creative industries, the cluster concept and its impact on policy. I analyse two film policy documents from 2007 and 2015 in order to show how the issue of size and critical mass is an unsettled topic within the creative industries, and I question the relevance of film as an economic and regional development tool in a country with a small film industry, such as Norway. This article shows that the creative industries concept, adopted from international discourses, especially creative industries policies in the UK, has influenced Norwegian film policy, reducing the importance of cultural objectives and increased the focus on the business potential and economic aspects of culture.
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Elektronisen aineiston sijainti ja käyttö (URI)
  • https://content.sciendo.com/view/journals/njms/2/1/article-p109.xml Linkki verkkoaineistoon 
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*505  $aThe creative industries have had a major impact on cultural policy, and it is often argued that these industries can be a vehicle for regional growth. Using regional film production in Norway as a case, I discuss the creative industries, the cluster concept and its impact on policy. I analyse two film policy documents from 2007 and 2015 in order to show how the issue of size and critical mass is an unsettled topic within the creative industries, and I question the relevance of film as an economic and regional development tool in a country with a small film industry, such as Norway. This article shows that the creative industries concept, adopted from international discourses, especially creative industries policies in the UK, has influenced Norwegian film policy, reducing the importance of cultural objectives and increased the focus on the business potential and economic aspects of culture.
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^
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