Hylly
Henkilönnimi Yilmaztekin, Hasan Kadir, kirjoittaja.
Nimeke- ja vastuullisuusmerkintö The legislative evolution of copyright in the late Ottoman Empire
Julkaistu Oxford University Press, Oxford : 2022.
Ulkoasutiedot
Sarjamerkintö ei-lisäkirjausmuodossa Journal of Intellectual Property Law & Practice, ISSN 1747-1532 ; 17(1)
Huomautus sisällöstä, tiivistelmä tms. Printing enabled rapid and practically unlimited distribution of works. It further gave rise to new questions: Who had the right to copy and sell books: the author or the publisher? And how could governments control the dissemination of undesirable works? The concept of copyright first took shape with the development of the printing press. Copyright was invented to answer these questions. The copyright holder was given right to control the public life of a work. During the sixteenth century, in England and France, entrepreneurs dealing with printing business asked their respective monarchs for ‘letters patent’ or privileges granting the right to print documents, such as statutes, religious books and legal texts.In the early eighteenth century, however, copyright law reshaped with the Enlightenment in the UK, when the Statute of Anne bestowed copyright to authors to break publisher’s monopolies. This legislation encouraged the creation of new works and their broad dissemination to a more democratically engaged society. Despite its different philosophical inspirations, the French droit d’auteur emerged as another main regulatory model in the eighteenth century. It shared this new common goal of providing incentives for the creation of new knowledge and effective tools for its dissemination.
Asiasana
Maantieteellinen nimi asiasanana
Sarjalisäkirjaus - yhtenäistetty nimeke Journal of Intellectual Property Law & Practice, 1747-1532 ; 17(1)
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*520 $aPrinting enabled rapid and practically unlimited distribution of works. It further gave rise to new questions: Who had the right to copy and sell books: the author or the publisher? And how could governments control the dissemination of undesirable works? The concept of copyright first took shape with the development of the printing press. Copyright was invented to answer these questions. The copyright holder was given right to control the public life of a work. During the sixteenth century, in England and France, entrepreneurs dealing with printing business asked their respective monarchs for ‘letters patent’ or privileges granting the right to print documents, such as statutes, religious books and legal texts.In the early eighteenth century, however, copyright law reshaped with the Enlightenment in the UK, when the Statute of Anne bestowed copyright to authors to break publisher’s monopolies. This legislation encouraged the creation of new works and their broad dissemination to a more democratically engaged society. Despite its different philosophical inspirations, the French droit d’auteur emerged as another main regulatory model in the eighteenth century. It shared this new common goal of providing incentives for the creation of new knowledge and effective tools for its dissemination.
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