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Nimeke- ja vastuullisuusmerkintö Artists and Cultural Consumers
Julkaistu Association for Cultural Economics, Akron, OH : 1987.
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Huomautus sisällöstä, tiivistelmä tms. This is Volume III of three of the Proceedings of the Fourth International Conference on Cultural Economics held May 12-14, 1986, at the Palace of the Popes in Avignon, France. The 26 papers and one panel discussion in this volume examine artists and those who consume what artists produce. Section I deals with the value of cultural goods. Sections II and III reveal much about the geographical distribution of artists in the and the manner in which artists interact with labor markets. The general conclusions are that artists are an urban lot, clustered on the east and west coasts and learn less than they would have earned if they had majored in what their parents wanted them to major in. Section IV deals with the consumption process approach that process from both theoretical and empirical perspectives. Section V deals with publishing. Section VI singles out three disparate problems that afflict the world of artists and art works. Writers probe the inequities of the tax code as it applies to artists and their outputs; the way nationalism and boosterism both encourage and impede the flow of art works across international borders; and the nether world of art theft, particularly recent developments in detection and in defining what ought to constitute clear title in a sea of murky pedigrees. (p. 1) The volume ends with a set of short papers presented in panel form. These papers attempt to formulate a social science of aesthetics.
Asiasana
Henkilönnimi Shaw, Douglas V., toimittaja. Hendon, William S., toimittaja. Waits, C. Richard, toimittaja.
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*520 $aThis is Volume III of three of the Proceedings of the Fourth International Conference on Cultural Economics held May 12-14, 1986, at the Palace of the Popes in Avignon, France. The 26 papers and one panel discussion in this volume examine artists and those who consume what artists produce. Section I deals with the value of cultural goods. Sections II and III reveal much about the geographical distribution of artists in the and the manner in which artists interact with labor markets. The general conclusions are that artists are an urban lot, clustered on the east and west coasts and learn less than they would have earned if they had majored in what their parents wanted them to major in. Section IV deals with the consumption process approach that process from both theoretical and empirical perspectives. Section V deals with publishing. Section VI singles out three disparate problems that afflict the world of artists and art works. Writers probe the inequities of the tax code as it applies to artists and their outputs; the way nationalism and boosterism both encourage and impede the flow of art works across international borders; and the nether world of art theft, particularly recent developments in detection and in defining what ought to constitute clear title in a sea of murky pedigrees. (p. 1) The volume ends with a set of short papers presented in panel form. These papers attempt to formulate a social science of aesthetics.
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*7001 $aWaits, C. Richard,$etoimittaja.
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