Tekijänoikeuden erikoiskirjasto

Digital peripheries : the online circulation of audiovisual content from the small market perspective
Muistilista on tyhjä
Vis
Nimeke- ja vastuullisuusmerkintö
  • Digital peripheries : the online circulation of audiovisual content from the small market perspective
Julkaistu
  • Springer, Cham : 2020.
SAB-luokituskoodi
  • 33.34
Muu luokituskoodi
  • 33.34
Ulkoasutiedot
  • 302 s.
  • Elektroninen aineisto
  • (pdf)
Sarjamerkintö ei-lisäkirjausmuodossa
  • Springer Series in Media Industries, ISSN 2523-3890
Huomautus sisällöstä
  • Introduction: Theorizing Digital Peripheries. Petr Szczepanik, Pavel Zahrádka, and Jakub Maceks, s. 1-34; Small, Middle, Test: Rescaling Peripheral Media Markets. Ira Wagman, s. 35-50; On the Boundaries of Digital Markets. Ramon Lobato, s. 51-64; Territoriality of Copyright Law. Radim Polčák, s. 65-80; Geoblocking: At Odds with the EU Single Market and Consumer Expectations. Julia Reda, s. 81-100; The Czech and Slovak Audiovisual Market as a Laboratory Experiment for the Digital Single Market in Europe. Pavel Zahrádka, s. 101-124; Television Distribution in Flanders: Who Takes the Lead and Is Content Always King? Tim Raats and Karen Donders, s. 125-144; Industry Divide: The Interdependence of Traditional Cinematic Distribution and VOD in Poland. Marcin Adamczak, s. 145-158; Channels and Barriers of Cross-Border Online Circulation: Central and Eastern Europe as a Digital Periphery. Petr Szczepanik, s. 159-180; Digital Film and Television Distribution in Greece: Between Crisis and Opportunity. Lydia Papadimitriou, s. 181-200; Finding Larger Transnational Media Markets: Media Practices of the Vietnamese Diasporic Community. Tae-Sik Kim, s. 201-214; Configurable Culture in Wealthy and Developing Markets: A Comparative Cross-National Perspective. Aram Sinnreich, s. 215-226; Structured Film-Viewing Preferences and Practices: A Quantitative Analysis of Hierarchies in Screen and Content Selection Among Young People in Flanders. Aleit Veenstra, Philippe Meers, and Daniël Biltereyst, s. 227-244; Uses Genres and Media Ensembles: A Conceptual Roadmap for Research of Convergent Audiences. Jakub Macek, s. 245-260; Compensation Systems for Online Use. Christian Handke, s. 261-272; Sync That Tune! The Role of Collective Management of Rights in Film Production and Distribution. Rudolf Leška, s. 273-290; Small Country, Complex Film Policy: The Case of the Czech Film Funding System. Petr Bilík, s. 291-302
Huomautus sisällöstä, tiivistelmä tms.
  • This is an open access book. Media industry research and EU policymaking are predominantly tailored to large (and, in the latter case, Western) European markets. This open access book addresses the specific qualities of smaller media markets, highlighting their vulnerability to global digital competition and outlining survival strategies for them. New online distribution models and new trends in the consumption of audiovisual content are limited by, and pose new challenges for, existing audiovisual business models and their legal framework in the EU. The European Commission’s Digital Single Market (DSM) strategy, which was intended e.g. to remove obstacles to the cross-border distribution of audiovisual content, has triggered a heated debate on the transformation of the existing ecosystem for European screen industries. While most current discussions focus on the United States, Western Europe, and the multinational giants, this book approaches these industry trends and policy questions from the perspective of relatively small and peripheral (in terms of their population, language, cross-border cultural flows, and financial and/or symbolic capital) media markets.
Yhteisönnimi
Asiasana
Maantieteellinen nimi asiasanana
Asiasana - Kontrolloimaton
Henkilönnimi
  • Szczepanik, Petr.
  • Zahrádka, Pavel.
  • Macek, Jakub.
  • Stepan, Paul.
Elektronisen aineiston sijainti ja käyttö (URI)
  • https://library.oapen.org/bitstream/handle/20.500.12657/39561/2020_Book_DigitalPeripheries.pdf?sequence=1 Linkki verkkoaineistoon
ISBN
  • 978-3-030-44850-9
*000      am a        a
*00118757
*007cr
*008      |2020    sz     e|     ||| 0|eng||
*019  $bga,la,na
*020  $a978-3-030-44850-9
*041  $aeng
*084  $a33.34$2ykl
*24500$aDigital peripheries :$bthe online circulation of audiovisual content from the small market perspective /$cEdited by Petr Szczepanik & Pavel Zahrádka & Jakub Macek & Paul Stepan.
*264  $aCham :$bSpringer,$c2020.
*300  $a302 s.
*300  $aElektroninen aineisto
*300  $f(pdf)
*490  $aSpringer Series in Media Industries,$x2523-3890
*505  $aIntroduction: Theorizing Digital Peripheries. Petr Szczepanik, Pavel Zahrádka, and Jakub Maceks, s. 1-34; Small, Middle, Test: Rescaling Peripheral Media Markets. Ira Wagman, s. 35-50; On the Boundaries of Digital Markets. Ramon Lobato, s. 51-64; Territoriality of Copyright Law. Radim Polčák, s. 65-80; Geoblocking: At Odds with the EU Single Market and Consumer Expectations. Julia Reda, s. 81-100; The Czech and Slovak Audiovisual Market as a Laboratory Experiment for the Digital Single Market in Europe. Pavel Zahrádka, s. 101-124; Television Distribution in Flanders: Who Takes the Lead and Is Content Always King? Tim Raats and Karen Donders, s. 125-144; Industry Divide: The Interdependence of Traditional Cinematic Distribution and VOD in Poland. Marcin Adamczak, s. 145-158; Channels and Barriers of Cross-Border Online Circulation: Central and Eastern Europe as a Digital Periphery. Petr Szczepanik, s. 159-180; Digital Film and Television Distribution in Greece: Between Crisis and Opportunity. Lydia Papadimitriou, s. 181-200; Finding Larger Transnational Media Markets: Media Practices of the Vietnamese Diasporic Community. Tae-Sik Kim, s. 201-214; Configurable Culture in Wealthy and Developing Markets: A Comparative Cross-National Perspective. Aram Sinnreich, s. 215-226; Structured Film-Viewing Preferences and Practices: A Quantitative Analysis of Hierarchies in Screen and Content Selection Among Young People in Flanders. Aleit Veenstra, Philippe Meers, and Daniël Biltereyst, s. 227-244; Uses Genres and Media Ensembles: A Conceptual Roadmap for Research of Convergent Audiences. Jakub Macek, s. 245-260; Compensation Systems for Online Use. Christian Handke, s. 261-272; Sync That Tune! The Role of Collective Management of Rights in Film Production and Distribution. Rudolf Leška, s. 273-290; Small Country, Complex Film Policy: The Case of the Czech Film Funding System. Petr Bilík, s. 291-302
*520  $aThis is an open access book. Media industry research and EU policymaking are predominantly tailored to large (and, in the latter case, Western) European markets. This open access book addresses the specific qualities of smaller media markets, highlighting their vulnerability to global digital competition and outlining survival strategies for them. New online distribution models and new trends in the consumption of audiovisual content are limited by, and pose new challenges for, existing audiovisual business models and their legal framework in the EU. The European Commission’s Digital Single Market (DSM) strategy, which was intended e.g. to remove obstacles to the cross-border distribution of audiovisual content, has triggered a heated debate on the transformation of the existing ecosystem for European screen industries. While most current discussions focus on the United States, Western Europe, and the multinational giants, this book approaches these industry trends and policy questions from the perspective of relatively small and peripheral (in terms of their population, language, cross-border cultural flows, and financial and/or symbolic capital) media markets.
*61024$aEuroopan unioni$0(FI-ASTERI-N)000035482
*650 7$aaudiovisuaalinen aineisto$2yso/fin$0http://www.yso.fi/onto/yso/p6545
*650 7$atekijänoikeus$0http://www.yso.fi/onto/yso/p2346$2yso/fin
*650 7$amarkkinat (taloustiede)$2yso/fin$0http://www.yso.fi/onto/yso/p1865
*650 7$amedia-ala$2yso/fin$0http://www.yso.fi/onto/yso/p5710
*650 7$asisämarkkinat$2yso/fin$0http://www.yso.fi/onto/yso/p2824
*651 7$aEurooppa$2yso/fin$0http://www.yso.fi/onto/yso/p94111
*653  $aDSM-direktiivi
*7001 $aSzczepanik, Petr.
*700  $aZahrádka, Pavel.
*700  $aMacek, Jakub.
*700  $aStepan, Paul.
*856 0$uhttps://library.oapen.org/bitstream/handle/20.500.12657/39561/2020_Book_DigitalPeripheries.pdf?sequence=1$yLinkki verkkoaineistoon
^
Tästä teoksesta ei ole arvioita.
Näpäytä kun haluat kirjoittaa ensimmäisen arvion.

Kuvausta ei toistaiseksi saatavana

Lähetä