Tekijänoikeuden erikoiskirjasto

Resetting the stage : public theatre between the market and democracy
Muistilista on tyhjä
Vis
Hylly
  • 77.1 KLA
Henkilönnimi
  • Klaic, Dragan, kirjoittaja.
Nimeke- ja vastuullisuusmerkintö
  • Resetting the stage : public theatre between the market and democracy
Julkaistu
  • Intellect, Bristol : 2012.
SAB-luokituskoodi
  • 77.1
Muu luokituskoodi
  • 77.1
Ulkoasutiedot
  • xvi, 190 sivua ; 23 cm
Huomautus sisällöstä
  • Part I. A Blurred Role -- 1. Public and Commercial Theatre: Distinct and Enmeshed -- 2. Public Theatre: Challenges and Responses -- 3. Production Models: Reps, Groups and Production Houses -- 4. The Specific Offer of Public Theatre -- Part II. Asserting Own Distinction -- 5. Programming Strategies -- 6. A Sense of Place -- 7. Finding the Audience, Making the Audience -- 8. Theatre in a Globalised World -- 9. Leadership, Governance and Cultural Policy -- In Place of an Epilogue: The Prospects for Public Theatre in Europe.
Huomautus sisällöstä, tiivistelmä tms.
  • Commercial theatre is thriving across Europe and the UK, while public theatre has suffered under changing patterns of cultural consumption - as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public.
Asiasana
Elektronisen aineiston sijainti ja käyttö (URI)
  • http://library.oapen.org/handle/20.500.12657/27533 Linkki verkkoaineistoon
ISBN
  • 978-1-84150-547-3
  • 9781783200481
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*520  $aCommercial theatre is thriving across Europe and the UK, while public theatre has suffered under changing patterns of cultural consumption - as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public.
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