Tekijänoikeuden erikoiskirjasto

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*008150909s2015    xxu|||||     |00||0|eng|c
*020  $a978-1-4331-2561-4$qpehmeäkantinen
*035  $a(FI-MELINDA)007553575
*040  $erda
*0410 $aeng
*084  $a33.34$2ykl
*24500$aCultures of copyright /$cDànielle Nicole DeVoss, Martine Courant Rife, editors.
*264 1$aNew York :$bPeter Lang,$c[2015]
*300  $avii, 406 pages ;$c23 cm
*336  $atext$btxt$2rdacontent
*337  $aoförmedlad$bn$2rdamedia
*338  $anide$bnc$2rdacarrier
*4900 $aCommunication law,$x2153-1390 ;$vvol. 4
*504  $aIncludes bibliographical references (pages 349-389) and index.
*5050 $aThe limits of ownership / Aaron Barlow -- Scarlet v. SABAM : an emerging backlash against corporate copyright lobbies in Europe? / Angela Daly and Benjamin Farrand -- Discovery and ownership in an age of networked science / Michelle Sidler and Chad Wickman -- Hindered hope : Shepard Fairey and the Associated Press, and the missed opportunity to clarify U.S. copyright law / Ben McCorkle -- New digital production models : the consolidation of the copyleft / Joan Francesc Fondevila Gascón and Raúl López García-Navas -- "Not a category of constitutional significance" : Golan v. Holder and the future of the public domain / Traci Zimmerman -- Permission and precedent : a cautionary tale from art publishing / Steve Westbrook and James Ryan -- Authorship and ownership of user contributions on the social web / Timothy R. Amidon and Jessica Reyman -- No copyright intended / Nicole Nguyen -- Fracturing digital entertainment by kindling rivalries and blowing steam / Liza Potts, Dean Holden, and Katie Dobruse -- Taking IP digital : a personal tale / Aaron Barlow -- Copyright and cultural use : tracing tensions between policy and practice in participatory cultures / Dave Jones -- Intellectual property and Jewish ethics : scripture as a resource for socioeconomic thought / Gabriel J. Michael -- Scratching out authorship : the creative network of hip hop DJs / Andre�� Sirois (DJ food stamp) -- Biocultural diversity and copyright : linking intellectual property, language, knowledge and environment / Gabriela Raquel Ríos and Donnie Johnson Sackey -- Toward a reflexive approach to remix-or-what Hawai'i creole english and tourism can teach us about copyright / Jennifer Sano-Franchini, Robyn Tasaka, and Lehua Ledbetter -- Authorship abroad : considering copyright across cultures / Angela M. Shetler -- The mutual interests of multicultural studies and some rights reserved copyright / Jill M. Parrott -- A culture of sharing : the U.S. nonprofit sector and intellectual property / Guiseppe Getto and Jessica Getto-Rivait -- Oppositional copyright curricula in the K-12 classroom / Clancy Ratliff -- Using eco-feminism to sustain the Open Educational Resources movement in a corporatized culture / Laural Lea Adams -- Borrowed images : a studio arts conundrum / Lisa Evans -- Cultural critique, first-year composition, and copyright / Jen Ware, Ashley Hall, and Sydney Stegall -- Asking the right questions / Nancy Schrock.
*650 7$atekijänoikeus$2yso/fin$0http://www.yso.fi/onto/yso/p2346
*650 7$aimmateriaalioikeus$2yso/fin$0http://www.yso.fi/onto/yso/p3068
*650 7$asivistykselliset ja kulttuuriset oikeudet$2yso/fin$0http://www.yso.fi/onto/yso/p25901
*650 7$akulttuurintutkimus$2yso/fin$0http://www.yso.fi/onto/yso/p7493
*651 7$aYhdysvallat$2yso/fin$0http://www.yso.fi/onto/yso/p105078
*7001 $aDeVoss, Dànielle Nicole,$etoimittaja.
*7001 $aRife, Martine Courant,$etoimittaja.
*852  $h33.34 CUL
^

The symbols, signs, and traces of copyright and related intellectual property laws that appear on everyday texts, objects, and artifacts have multiplied exponentially over the past 15 years. Digital spaces have revolutionized access to content and transformed the ways in which content is porous and malleable. In this volume, contributors focus on copyright as it relates to culture. The editors argue that what «counts» as property must be understood as shifting terrain deeply influenced by historical, economic, cultural, religious, and digital perspectives. Key themes addressed include issues of how: • Culture is framed, defined, and/or identified in conversations about intellectual property; • The humanities and other related disciplines are implicated in intellectual property issues; • The humanities will continue to rub up against copyright (e.g., issues of authorship, authorial agency, ownership of texts); • Different cultures and bodies of literature approach intellectual property, and how competing dynasties and marginalized voices exist beyond the dominant U.S. copyright paradigm. Offering a transnational and interdisciplinary perspective, Cultures of Copyright offers readers – scholars, researchers, practitioners, theorists, and others – key considerations to contemplate in terms of how we understand copyright’s past and how we chart its futures.