Tekijänoikeuden erikoiskirjasto

Copyright in the cultural industries
Muistilista on tyhjä
  • Copyright in the cultural industries
    • Copyright and the cultural industries: the policy-maker’s view
    • Copyright, borrowed images and appropriation art: an economic approach
    • Choice of law issues in relation to copyright
    • Copyright and freedom of expression: an economic analysis
    • Copyright in the digital age: the economic rationale re-examined
    • Copyright compulsory licensing and incentives
    • Copyright and corporate power
    • The abolition of copyrights: better for artists, Third World countries and the public domain
    • Copyright societies do not administer individual property rights: the incoherence of institutional traditions in Germany and the UK
    • Music licensing in the digital age
    • Copyright protection, appropriability and new cultural behaviour
    • Performers in the digital era: empirical evidence from Japan
    • Creativity without a copyright: music production in Vienna in the late eighteenth century
    • Exploiting museum images
    • Copyright in the digital age: opportunities and drawbacks for scientific research
    • The problems of authors’ property rights administration in Russia
  • COPYRIGHT 33.34
  • Towse, Ruth.
Nimeke- ja vastuullisuusmerkintö
  • Copyright in the cultural industries
  • Edward Elgar Publishing, Cheltenham : 2002.
  • 33.34
Muu luokituskoodi
  • 33.34
  • xxii, 263 s.
Asiasana - Kontrolloimaton
  • 1-84064-661-6
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A great deal has been written on the theoretical aspects of copyright and the cultural industries but much less on the applied side - how copyright law works in practice. How do lawyers, firms and artists manage and administer copyright and what economic and legal problems does this raise? In recent times in particular, technological inventions appear to have outpaced the development of copyright law. This illuminating book addresses these issues and looks at the serious implications for copyright policy in the future.Several of the authors question the efficacy of copyright, which is increasingly regarded as benefiting multinational organisations rather than individual authors and performers. Others are less critical of copyright per se, but question its ability to meet the new challenges of a digital era. Some of the specific issues covered include: law and international transactions of copyrighted material economic analysis of copyright and freedom of expression music licensing in the digital age the role of copyright in stimulating cultural development internet distribution of copyright material the problems of licensing museum images. International in scope and offering views from both academics and practitioners, this book will interest and inform economists, lawyers and policymakers alike. Commercial managers and business analysts involved with copyright would also benefit from reading this comprehensive yet accessible book.

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12981Saatavana KirjastoKirjasto 33.34 COP
Ex2Saatavana KirjastoKirjasto 33.34 COP