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Copyright and Piracy : an interdisciplinary critique
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  • Copyright and Piracy : an interdisciplinary critique
    • Inspiration or infringement : the plagiarist in court
    • Nineteenth-century Anglo-US copyright relations : the language of piracy versus the moral high ground
    • Language, practice and history
    • The metamorphosis of contrefaçon in French copyright law
    • A common lawyer’s perspective on contrefaçon
    • Copyright infringement, ’free-riding’ and the lifeworld
    • Copyright and the limits of law-and-economics analysis
    • ’Substantial similarity of expression’ in copyright infringement actions : a linguistic perspective
    • Refining notions of idea and expression through linguistic analysis
    • Copyright, piracy and software
    • Of plots, puddings and draught-excluders : the law as it applies to the infringement of computer programs
    • Measuring text reuse in the news industry
    • Reflections on measuring text re-use from a copyright law perspective
    • Unoriginal genius : plagiarism and the construction of ’romantic’ authorship
    • The genius and the labourer : authorship in eighteenth and nineteenth century copyright law
    • Piracy and authorship in contemporary art and the artistic commonwealth
    • Copyright’s imperfect republic and the artistic commonwealth
    • Reggae open source : how the absence of copyright enabled the emergence of popular music in Jamaica
    • "Free riding on the riddim"? : open source copyright law and reggae music in Jamaica
    • Copyright infringement : a criminological perspective
    • Towards a clearer understanding of the file-sharing phenomenon : comments on a criminological perspective
Hylly
  • COPYRIGHT 33.34
Nimeke- ja vastuullisuusmerkintö
  • Copyright and Piracy : an interdisciplinary critique
Julkaistu
  • Cambridge University Press, Cambridge : 2010.
SAB-luokituskoodi
  • 33.34
Muu luokituskoodi
  • 33.34
Ulkoasutiedot
  • xxx, 471 s.
Sarjamerkintö ei-lisäkirjausmuodossa
  • Cambridge intellectual property and information law
Asiasana - Kontrolloimaton
Henkilönnimi
  • Bently, Lionel.
  • Davis, Jennifer.
  • Ginsburg, Jane C.
Osakohde
ISBN
  • 978-0-521-19343-6
 
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An understanding of the changing nature of the law and practice of copyright infringement is a task too big for lawyers alone; it requires additional inputs from economists, historians, technologists, sociologists, cultural theorists and criminologists. Where is the boundary to be drawn between illegal imitation and legal inspiration? Would the answer be different for creators, artists and experts from different disciplines or fields? How have concepts of copyright infringement altered over time and how do such changes relate, if at all, to the cultural norms operating amongst creators in different fields? With such an approach, one might perhaps begin to address the vital and overarching question of whether strong copyright laws, rigorously enforced, impede rather than promote creativity. And what can be done to avoid any such adverse consequences, while maintaining the effectiveness of copyright as an incentive-mechanism for those who need it?

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Niteen tunnusTilaEräpäiväKuuluuSijaintiHylly
19150Saatavana KirjastoKirjasto 33.34