Tekijänoikeuden erikoiskirjasto : Copyright and popular media : liberal villains and technological change

Hylly	CVETKOVSKI 33.34
Henkilönnimi	Cvetkovski, Trajce.
Nimeke- ja vastuullisuusmerkintö	Copyright and popular media : liberal villains and technological change
Julkaistu	Palgrave Macmillan, Basingstoke : 2013.
SAB-luokituskoodi	33.34
Muu luokituskoodi	33.34
Ulkoasutiedot	xxii, 299 s.
Huomautus sisällöstä, tiivistelmä tms.	Contents: Abbreviations Cases Statutory instruments PART I: SETTING THE SCENE Liberalism, Realism, Convergence, Consumption and Tensions between Technological and Legal Change Global Governance: Regulation of Copyright Law and Policy in Popular Media Copyright Industries Corporate Control of Popular Media (and Culture): Competition Law and Policy in Popular Culture PART II: PROBLEMS WITH NEIGHBOURS - UNPRECEDENTED CHALLENGE TO CORPORATE CONTROL Copyright Developments in Popular Media: Doctrinal and Statutory Challenges From Printing Press to Peer-to-Peer: Centuries of Modern Media Piracy and the Social Urge for Legal and Illegal Consumption A Three-front War on Piracy: Technological Protection, Legal Action and Education Programs - Null Bock Haltung? Occidental Failure: The Paradox of Transglobal Copyright Industries in Emerging Economies PART III: PROSPECTS FOR COPYRIGHT POLICY AND CONSUMPTION IN POPULAR MEDIA The Nexus between Piracy and Legitimate Consumption: Social Networking, P2P File Sharing and Consumer Empowerment Concluding Remarks on Technology and the Law: Neighbour Reconciliation or Infinite Futility? Index. Summary: Media piracy in music, film and gaming is as much about the future of formal copyright governance as it is about morality and freedom of expression. An illegal consumer is not a bad or immoral person because copyright laws state the act of copyright infringement is against the law. History reveals what social networking in the world of digitalization now tells us - consumers have always engaged in legal and illegal popular media consumption. Convergent consumption patterns are not new - file sharing is the latest development. However the dominant few which have established the status quo over several decades strongly resist external technological challenges. The corporate elite which control the bulk of popular media and their copyrights strictly preserve the formal legal structures in which copyrights exist. But the legal reality is that the facade of copyright governance has been seriously challenged in the 21st Century. This book explores the unresolved issues concerned with media piracy and consumption.
Asiasana - Kontrolloimaton	TIETOVERKOT PIRATISMI SANANVAPAUS KULUTTAJAOIKEUS TORJUNTA TEKIJÄNOIKEUS
ISBN	978-0-230-36847-7

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Copyright governance is in a state of flux because the boundaries between legal and illegal consumption have blurred. Trajce Cvetkovski interrogates the disorganizational effects of piracy and emerging technologies on the political economy of copyright in popular music, film and gaming industries.